Please right-click on the following blue links to download the sheet music (scores & parts) and
audio samples |
|||||||||||
|
|||||||||||
·
Danzas Latinoamericanas
·
I. Otoño en Buenos Aires (Autumn in Buenos Aires)
·
II. Pan de Azúcar (Sugar Loaf)
·
III. Atardecer Tapatío (Sunset in Guadalajara)
|
|||||||||||
Duration: 10 minutes
total (each movement is approximately 3 minutes long) All movements can be
performed independently Danzas Latinoamericanas
(Latin American Dances) was
originally commissioned by Mexican cellist Carlos Prieto. It is based on some
of the national dances of Argentina,
Brazil and Mexico respectively. ·
Otoño en Buenos Aires, is indebted to the concert-style
tangos of Astor Piazzolla, as well as the
extraordinary songs of Carlos Gardel. ·
Pan de Azúcar is named after the famous mountain in Rio de
Janeiro. It echoes
the sensuous music of Antonio Carlos Jobim and the
exuberant vitality of the works of Heitor
Villa-Lobos. ·
Atardecer Tapatío is inspired by Mexican folk-dance music
and the sound of “mariachi” bands. It is a tribute to the composer’s
homeland. |
|||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
|||||||
String
Orchestra
|
score &
parts (all 3 movements)
|
audio - movement #1
|
|
|
|||||||
audio - movement #2
|
|
|
|||||||||
audio - movement #3
|
|
|
|||||||||
|
|||||||||||
Orchestra
I.
(strings + piano)
II.
(strings)
III. (strings + 1 piccolo, 2
flutes, 2 trumpets)
|
score &
parts (all 3 movements)
|
audio - movement #1
|
video - movement #1
|
|
|||||||
audio - movement #2
|
video - movement #2
|
|
|||||||||
audio - movement #3
|
video - movement #3
|
|
|||||||||
|
|||||||||||
String Orchestra
+ Flute soloist
|
score &
parts (all 3 movements)
|
audio - movement #1
|
video - movement #1
|
|
|||||||
audio - movement #2
|
video - movement #2
|
|
|||||||||
audio - movement #3
|
video - movement #3
|
|
|||||||||
|
|||||||||||
String
Orchestra (with piano) + Flute soloist
|
score &
parts (all 3 movements)
|
|
|||||||||
|
|||||||||||
String Orchestra + Cello soloist
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
|||||||
|
|||||||||||
String
Orchestra (with piano)
+ Cello soloist
|
score &
parts - movement #1
|
|
|
|
|||||||
|
|||||||||||
String
Orchestra + English Horn soloist
|
score &
parts - movement #2
|
audio - movement #2
|
|
|
|||||||
|
|||||||||||
String Orchestra
+ Soprano soloist
|
score &
parts - movement #1
|
|
|
|
|||||||
|
|||||||||||
Chamber
Ensemble
(strings,
1 flute, 1 clarinet,
1 trumpet, 1 guitar + 1 guitarrón)
*The guitarrón can be substituted
with a guitar
|
score &
parts - movement #3
|
|
|
|
|||||||
|
|||||||||||
|
|||||||||||
La Alborada de la Esperanza (The Dawn of
Hope)
|
|||||||||||
Duration: 4 minutes The inspiration for this composition is the journey from darkness to
light that happens when someone faces a challenging situation and is able to
turn around and focus on a more positive future to come. Even though there is
some struggle and melancholy in this journey, it gets transformed into hope.
The result is a surprisingly luminous composition. It's a very tonal and
lyrical and it is dedicated to French cellist Sébastien Hurtaud.
The piano and cello version was premiered by Sébastien Hurtaud
and Pamela Hurtado as part of the celebrations of the 100th anniversary of
the end of World War I on November 11th, 2018. The version for cello and
string orchestra was premiered during the World Youth Days in Panama on
January 24th, 2019. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|
|||||||
String Quartet
|
score & parts
|
audio
|
video
|
|
|||||||
|
|||||||||||
String Orchestra
|
score & parts
|
audio
|
video
|
|
|||||||
|
|||||||||||
Cello soloist + String Orchestra
|
score & parts
|
audio
|
video
|
|
|||||||
|
|||||||||||
Violin soloist
+ String Orchestra
|
score & parts
|
|
|
|
|||||||
|
|||||||||||
Viola soloist +
String Orchestra
|
score & parts
|
|
|
|
|||||||
|
|||||||||||
Flute soloist + String Orchestra
|
score & parts
|
|
|
|
|||||||
|
|||||||||||
Oboe soloist + String Orchestra
|
score & parts
|
|
|
|
|||||||
|
|||||||||||
Bandoneon +
String Orchestra
|
score & parts
|
|
|
|
|||||||
|
|||||||||||
Choir + String
Ensemble
|
score & parts
|
audio
|
|
|
|||||||
|
|||||||||||
|
|||||||||||
Crepúsculos (Alpenglow)
|
|||||||||||
Duration: 4 minutes Alpenglow is a
specific type of twilight, consisting of a magical pinkish or orange light
that appears at the top of the Alps right before the sun goes down. The piece
is sweet but melancholic, with some elements of minimalist and impressionist
inspiration. The piano plays a "moto perpetuo" for most of the
piece. The ethereal melodic line sometimes floats above the piano
accompaniment and sometimes joins it in its perpetual motion. This
composition is dedicated to Sefika Kutluer. |
|||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
||||||||
String
Orchestra (with piano) + Flute soloist
|
score / parts
|
audio
|
video
|
||||||||
|
|||||||||||
String
Orchestra (with piano) + Violin soloist
|
score / parts
|
||||||||||
|
|||||||||||
String Orchestra
(with piano) + Alto Saxophone soloist
|
score / parts
|
||||||||||
|
|||||||||||
String Orchestra + Flute soloist
|
score & parts
|
||||||||||
|
|||||||||||
String
Orchestra + Violin soloist
|
score & parts
|
||||||||||
|
|||||||||||
String
Orchestra + Alto Saxophone
|
score & parts
|
||||||||||
|
|||||||||||
|
|||||||||||
Limoncello
|
|||||||||||
Limoncello is a very sweet, peaceful,
lyrical and tonal piece. It is dedicated to Carlos Prieto. DURATION: 3:30 to 4 minutes |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Cello soloist
|
score & parts
|
||||||||||
|
|||||||||||
String
Orchestra + Viola soloist
|
score & parts
|
||||||||||
|
|||||||||||
String
Orchestra with piano + Violin soloist
|
score & parts
|
||||||||||
|
|||||||||||
String Orchestra + Violin soloist
|
score & parts
|
||||||||||
|
|||||||||||
String
Orchestra with piano + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
String Orchestra + Flute soloist
|
score & parts
|
||||||||||
|
|||||||||||
String Orchestra with piano + Alto Saxophone
soloist
|
score & parts
|
||||||||||
|
|||||||||||
String Orchestra + Alto Saxophone soloist
|
score & parts
|
||||||||||
|
|||||||||||
|
|||||||||||
Estampas Mexicanas
I.
I.
Ferial (Parade)
II.
II. Danza del Pájaro
Sagrado (Dance of the sacred
bird)
III.Teotlalli
(Land of Gods)
|
|||||||||||
Duration: 10 minutes
total (each movement is approximately 3 minutes long) The first and third
movements can be performed independently Estampas Mexicanas (Mexican Vignettes) is a suite featuring Mexican folk
elements. The composer was inspired by the rhythmic vitality of the music of
Carlos Chávez, the ritualistic mysticism of the works of Silvestre Revueltas, and the lyrical melodies of Manuel M. Ponce. ·
Ferial
is
a festive parade of simple, colorful, folk-like tunes and rhythms. The
opening of this movement pays homage to composer Carlos Chávez, paraphrasing
the opening measures of his "Sinfonía
India". But in contrast to Chávez’ work, Elizondo uses this rhythmic
material in a lighter manner to propel his festive melodies and create a
festive tapestry of sounds. ·
Danza del Pájaro
Sagrado The second movement is an imagined Aztec
ritual invocation of the sacred bird. The orchestration is sparse and
symbolic. ·
Teotlalli includes a celebratory statement of
this movement’s main theme in a symphonic version of the mariachi band. |
|||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
||||||||
Orchestra
(strings,
1 piccolo, 2 flutes, 2 oboes, 2 clarinets,
1 bassoon, 2 trumpets, 2
trombones, 2 horns, 3 percussion)
|
score & parts (all 3 movements)
|
audio - movement
#1
|
video - movement #1
|
||||||||
audio - movement
#2
|
video - movement #2
|
||||||||||
audio - movement
#3
|
video - movement #3
|
||||||||||
|
|||||||||||
String
Orchestra + Flute soloist
|
score & parts - movement #1
|
audio - movement
#1
|
video - movement #1
|
||||||||
score & parts - movement #3
|
audio - movement
#3
|
video - movement #3
|
|||||||||
|
|||||||||||
String
Orchestra + Percussion
|
score & parts (all 3 movements)
|
|
|
||||||||
|
|
||||||||||
|
|
||||||||||
|
|||||||||||
String
Orchestra
|
score & parts - movement #1
|
audio - movement
#1
|
|||||||||
score & parts - movement #3
|
audio - movement
#3
|
||||||||||
|
|||||||||||
String Quartet
|
score & parts - movement #1
|
audio - movement
#1
|
|||||||||
score & parts - movement #3
|
audio - movement
#3
|
|
|||||||||
|
|||||||||||
|
|||||||||||
Despapaye
|
|||||||||||
Duration: 3 minutes This composition that combines Baroque elements
with Latin American salsa. This piece is intended for Pops concerts or as a
fun encore. It starts as a standard Baroque dance, but at some point
“peculiar” things start to happen (seemingly out-of-place glissandos,
pizzicatos, etc) that eventually transform the
piece into a very fun and rhythmic salsa. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
||||||||||
|
|||||||||||
String Orchestra with piano
+ Flute soloist
|
score & parts
|
audio
|
|||||||||
|
|||||||||||
String Orchestra + Alto Saxophone soloist
|
score & parts
|
||||||||||
|
|||||||||||
String Orchestra with piano + Alto Saxophone
soloist
|
score & parts
|
||||||||||
|
|||||||||||
|
|||||||||||
Leyenda del Quetzal y la Serpiente (Legend of the Quetzal bird & the snake)
|
|||||||||||
Duration: 5 minutes This composition has a certain atmospheric,
cinematic character. It is a fantasy for orchestra that makes reference to an
Aztec legend of the Quetzal bird and the snake. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
Orchestra
(strings, 1 piccolo, 2 flutes, 2
oboes, 2 clarinets, 1 bassoon, 2 trumpets, 2 trombones, 2 horns, 3
percussion)
|
score &
parts
|
audio
|
video
|
||||||||
|
|||||||||||
|
|||||||||||
Chez
|
|||||||||||
Duration: 3 to 3:30 minutes Chez
was named after a friend of Elizondo’s, a talented guitarist whose playing
stirred his interest in Spanish guitar music and inspired this piece.
Originally composed for flute and guitar, the arrangement for flute and
string orchestra was made especially for Şefika Kutluer. The melodies in this piece originally
drew inspiration from the Mexican and Spanish folk traditions, and were later
influenced by Elizondo’s listening to Venezuelan waltzes performed by the
talented Orlando Cela. The “rondo” form provides an
easy structure to the composer for featuring a musical conversation in which
the flute and the orchestra take turns introducing melodic material and
providing complementary countermelodies or ornamental commentary. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
|
|||||||||||
Canción de Cuna (Lullaby)
|
|||||||||||
Duration: 3:30 to 4 minutes As the title indicates, Canción de Cuna is a tender lullaby,
hence its simplicity and the composer’s choice of a tonal, lyrical and
straight-forward musical language. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra +Harp +Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
String Orchestra +Harp +Violin soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
String Orchestra +Soprano soloist
|
score & parts
|
||||||||||
|
|||||||||||
|
|||||||||||
Princesa de Hadas (Fairy Tale Princess)
|
|||||||||||
Duration: 3-4
minutes Princesa de Hadas was
commissioned by Argentine poet Patricio Méndez in 1996. The orchestral
version was created for Şefika Kutluer,
who has championed it around the world. The title of this piece refers to a
verse from a poem by Méndez, where he describes his beloved as a “fairy tale
princess.” The musical material is deliberately simple, tonal, and lyrical,
in an attempt to evoke the innocence and romanticism of the world created by
the poet for his fairy tale princess. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
|
|||||||||||
Set me as a seal upon
thine heart (Grábame como un sello en tu corazón)
|
|||||||||||
Duration: 6 minutes Originally written for organ, French
horn and baritone, the piece is based on a biblical text from King Solomon’s
“Song of Songs”, and was written on occasion of a wedding. The musical
inspiration for the composition came from Mendelssohn’s choral piece, “Verleih uns Frieden”, and from
the magnificent sound of the pipe organ in Trinity Church in Boston, which
was eventually used for the premiere of this piece. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
String Orchestra + Voice soloist
|
score & parts
|
|
|
||||||||
|
|||||||||||
|
|||||||||||
Sefika’s Menuetto
|
|||||||||||
Duration: 8:30 minutes Şefika’s
Menuetto is a sweet, lyrical piece for flute
and string orchestra, dedicated to Şefika Kutluer. The composer chose musical material he had
written during some of the most memorable moments of his life, revisiting and
reinterpreting it to create an amalgamated canvas upon which he could present
flute melodies that are at times playful and uplifting, and at times
nostalgic and more meditative. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
String Quartet + Flute soloist
|
score & parts
|
||||||||||
|
|||||||||||
|
|||||||||||
Excursión a la Montaña (Excursion to the Mountain)
|
|||||||||||
Duration of the orchestra version: 6 minutes Duration of the versions for flute
solo, cello solo or alto sax solo: 3:30 minutes Excursión
a la Montaña tells the story of the first excursion
of a child to the top of a little mountain.
Stylistically, the piece is inspired by the music of Debussy and
Prokofiev. In addition to impressionistic harmonies, it incorporates elements
of Mexican music and Spanish Flamenco music. This piece was originally
written for a friend of the composer, flutist Kim Sopata.
This piece has been championed, in particular, by the talented Orlando Cela, who has performed it extensively around the world. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||