Please right-click on the
following blue links to download the
sheet music (scores & parts) and audio samples |
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·
Danzas Latinoamericanas / Latin American Dances
·
I. Otoño en Buenos Aires / Autumn in Buenos Aires
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II. Pan de Azúcar / Sugar Loaf
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III. Atardecer Tapatío / Sunset in Guadalajara
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·
Commissioned by and
dedicated to Mexican cellist Carlos Prieto ·
Length: 10 to 15 minutes for
all 3 movements (depending on the version) ·
Mood: festive, lyrical,
Latin, energetic ·
Movements: Three movements.
They can be performed as a suite or independently ·
Description: Danzas Latinoamericanas is a suite inspired
by dances from Argentina (tango), Brazil (bossa nova), and Mexico (jarabe). o 1. Otoño en Buenos Aires is a passionate
tango that pays homage to the music of Astor Piazzolla
and Carlos Gardel. o 2. Pan de Azúcar is named after
the famous mountain in Rio de Janeiro. It is inspired by Brazilian bossa
nova. It echoes the sensuous music of Antonio Carlos Jobim
and Heitor Villa-Lobos. The melodies in this piece
are expressive, melancholic and peaceful, with a general mood of "joyful
serenity". o
3. Atardecer Tapatío is inspired by
Mexican jarabe folk-dance music and the sound of “mariachi” bands. The music
is worry-free, festive and full of life. It is a tribute to the composer’s
homeland. |
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SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String Orchestra + Cello soloist
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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audio - movement #3
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String Orchestra (with piano)
+ Cello soloist
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score & parts (all 3 movements)
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String Trio + Piano
(violin, viola, cello, piano)
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score & parts (all 3 movements)
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String Quartet + Piano
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score & parts (all 3 movements)
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String Quartet
(with piano) + Flute soloist
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score &
parts (all 3 movements)
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audio - movement #1
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audio - movement #3
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String Quartet
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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String Quintet
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score & parts (all 3 movements)
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Cello + 2 Violins + Bass
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score & parts (movement #1)
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Cello Ensemble
(8 parts)
For ensembles of 8 cellos
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello Ensemble
(8 parts) + Bass
For ensembles of 8 cellos + Bass
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello Ensemble
(5 parts)
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score &
parts (all 3 movements)
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Cello Ensemble
(4 parts)
For ensembles of 4, 12, 16 and
more cellos
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #3
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video - movement #3
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Cello Ensemble
(4 parts)
+ Cello Soloist
For ensembles of 4, 12, 16 and
more cellos and additional cello soloist
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score &
parts (all 3 movements)
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2 Cellos
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello Solo
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello + Viola
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Viola +
Violin + Bassoon
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score & parts (all movements)
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Cello + Violin
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score &
parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Violin +
Piano
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score &
parts (all 3 movements)
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video (all 3 movements)
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Cello + Violin
+ Guitar
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score &
parts – movement #1
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Cello + Contrabass
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Cello + Piano
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video (all 3 movements)
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audio - movement #3
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Cello + Guitar
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Cello + Accordion
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score & parts – movement #1
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3
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Cello + Flute
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score & parts (all 3 movements)
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Cello + Alto Saxophone
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score & parts (all 3 movements)
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Cello + Alto Saxophone + Piano
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score &
parts (all 3 movements)
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Cello + Tenor Saxophone + Piano
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score & parts - movement #2
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Cello + Piano + Clarinet in Bb
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score & parts (all 3 movements)
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La Alborada de la Esperanza / The Dawn of
Hope
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·
Commissioned by and dedicated
to French cellist Sébastien Hurtaud ·
Length: 4 minutes ·
Mood: contemplative,
lyrical ·
Description: "The Dawn of
Hope" is a composition about the journey from darkness to light. Just as
the light of the rising sun dissipates the darkness of the night, and fills
us with the promise of a bright and beautiful new day, hope and compassion
give light to life's challenges and remind us that we can overcome adversity
and focuses on the hope of a better future. ·
Premiere: The piano and cello
version was premiered by Sébastien Hurtaud and
Pamela Hurtado as part of the celebrations of the 100th anniversary of the
end of World War I on November 11th, 2018. The version for cello and string
orchestra was premiered during the World Youth Days in Panama on January 24th,
2019. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String Orchestra
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score & parts
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audio
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video
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Cello soloist + String Orchestra
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score & parts
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audio
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video
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String Quartet
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score & parts
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audio
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video
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String Quintet
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score & parts
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Cello Solo
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score & parts
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audio
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video
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Cello Duet (2 cellos)
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score & parts
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Cello Trio (2 cellos + Piano)
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score & parts
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Cello Ensemble (4 parts)
For
ensembles of 4, 12, 16 and more cellos
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score & parts
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audio
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video
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Cello Ensemble (4 parts) + Cello Soloist
For
ensembles of 4, 12, 16 and more cellos and additional Cello Soloist
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score & parts
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Cello Ensemble (8 parts)
For
ensembles of 8 cellos
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score & parts
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Cello + Violin
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score & parts
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audio
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video
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Cello + Violin + Piano
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score & parts
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audio
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video
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Cello + Violin + Guitar
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score & parts
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Cello + Viola
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Cello + Guitar
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score & parts
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Cello + Flute
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score & parts
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Cello + Oboe
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score & parts
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Cello + Alto Saxophone + Piano
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score & parts
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Unter dem Sternenhimmel
des Rheins
Under the starry
sky of the Rhein / Bajo
el cielo estrellado del Rín
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·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 4 minutes ·
Mood: epic, cinematic, lyrical ·
Description: This piece was commissioned by German cellist
Benedict Klöckner as a companion piece for Bach’s
Cello Suites. The composer was particularly inspired by maestro Klöckner’s performance of the Gigue in Bach’s Cello Suite
#6, and even incorporates some quotes from that piece in his composition. In
his attempt to include other elements that referenced maestro Klöckner’s homeland in Rhineland-Palatinate, he was
inspired by the evocative landscapes and medieval castles of the region. ·
Premiere: Benedict Klöckner
premiered this piece on July 5th, 2020 at Schloss Burg Namedy in Andernach,
Germany. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Orchestra &
Cello Soloist
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Please email the composer
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Cello solo
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score & parts
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audio
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video
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2 Cellos
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score & parts
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Cello &
Violin
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score & parts
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audio
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video
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Cello &
Viola
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score & parts
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Die Nachtblume / The Night Flower
/ La
Flor Nocturna
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·
Length: 4 minutes ·
Mood: contemplative,
lyrical, tender ·
Note: This is the second
movement of “The Legend of the Noble Knight”. It works very well as an
independent piece. ·
Description: The composer was
inspired by the poems of Baron Joseph von Eichendorff, and in particular, by
the idea of the delicate and elusive “blue flower” that represents the
balance of humanity with nature and spirituality. This piece attempts to
provide a musical commentary about the ephemeral beauty and significance of
The Night Flower (Die Nachtblume). ·
Premiere: Cellist Benedict Klöckner and violinist Yury Revich premiered this piece on July 11th, 2020
at Kloster Eberbach in Eltville
am Rhein, Germany. ·
Programming notes: This piece can be
performed independently, or in its original setting, as the second movement
of “The Legend of the Noble Knight”. Moreover, this piece can also be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Orchestra & Cello Soloist
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Please email the composer
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String Orchestra
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score & parts
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audio
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Cello &
Violin
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score & parts
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audio
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video
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Cello &
Viola
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score & parts
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audio
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video
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Cello & Flute
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score & parts
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Cello & Oboe
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score & parts
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audio
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video
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Cello & Guitar
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score & parts
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Die Legende des edlen Ritters
The Legend of the
Noble Knight / La Leyenda del
Noble Caballero
·
I. Unter dem Sternenhimmel des Rheins / Under the starry sky
of the Rhine
·
II. Die Nachtblume / The Night Flower
·
III. Der Triumph des edlen Ritters / The Triumph of
the Noble Knight
·
IV.
Einheit und Hoffnung / Unity and Hope
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·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 15 minutes ·
Mood: epic, cinematic,
lyrical ·
Movements: Suite in four movements ·
Description: o 1. Under the starry sky of the Rhine. This movement was
originally written as a stand-alone piece and was commissioned by German
cellist Benedict Klöckner as a companion piece for
Bach’s Cello Suites. The composer was particularly inspired by Mr. Klöckner’s performance of the Gigue in Bach’s Cello Suite
#6, and even incorporates some quotes from that piece in his composition. In
his attempt to include other elements that referenced Mr. Klöckner’s
homeland in Rhineland-Palatinate, he was inspired by the evocative landscapes
and medieval castles of the region, as well as the legends associated with
them. o 2. The Night Flower. Inspired by the
poems of Baron Joseph von Eichendorff led him to becoming enamored with the
idea of the delicate and elusive “blue flower” that represents the balance of
humanity with nature and spirituality. The second movement attempts to
provide a musical comment about the ephemeral beauty and significance of the
night flower. o 3. The Triumph of the Knight. This movement uses
the Gregorian Chant Dies Irae (Day of Wrath) and variations of it to
represent the chant of the Lorelei, in an attempt to incorporate the legend
of the unfortunate maiden-turned-enchantress associated with one of the
geologic features of the banks of the Rhine. o 4. Unity and Hope. This movement
synthesizes the various musical and extra-musical themes introduced
throughout the piece, bringing back, among other things, the melodies
associated with the Bach Gigue from the Cello Suite #6. ·
Premiere: The violin and
cello duet version of this piece was premiered by cellist Benedict Klöckner and violinist Yury Revich, on July 11th, 2020 at Kloster Eberbach in Eltville am
Rhein, Germany. The premiere of the cello concerto version is scheduled
for 2023. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Orchestra & Cello Soloist
(strings,
1 flute, 1 oboe, 1 clarinet, 1 trumpet, 1 horn, timpani, triangle and bells)
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Please email the composer to obtain the score for
the CELLO CONCERTO
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Cello &
Violin
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score & parts
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audio
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video
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audio
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audio
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audio
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Cello & Viola
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score & parts
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2 Cellos
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score & parts
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Mondnacht / The Night
of the Moon / La Noche de la Luna
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·
Commissioned by
Benedict Klöckner ·
Dedicated to
Benedict Klöckner, Yury Revich and Danae Dörken ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: The composer was inspired by the poem “Mondnacht” by Baron Joseph von Eichendorff and the idea
of the light of the moon shimmering on the surface of a gently flowing river.
This is a piece about
how people can find beauty and serenity in life, in spite of seemingly
unsurmountable difficulties. The light of the moon projecting its silver
shimmery beauty onto the peaceful surface of a river, in spite of the
turbulent undercurrent. ·
Premiere: The cello, violin and piano trio version of this
piece was premiered by cellist Benedict Klöckner,
violinist Yury Revich and
pianist Danae Dörken, on July 11th, 2021
at the Rhein Mosel Halle in Koblenz, Germany. ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Cello & Violin
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score & parts
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audio
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video
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Piano, Cello
& Clarinet
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score & parts
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Cherry Blossoms / Cerezos en Flor
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·
Dedicated to
Benedict Klöckner and Clémence
de Forceville ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: This is a piece
about grace in the face of great sorrow, and how the simplest most delicate
things in life can sometimes produce the deepest effects in our hearts. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Piano, Cello & Violin
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Score and parts will be available on
October 2022 after the premiere
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Piano, Clarinet & Flute
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Score and parts will be available on
November 2022 after the premiere
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Piano & Cello
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Score and parts will be available on
October 2022 after the premiere
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Cantabrigian
Reflections / Reflexiones de Cambridge
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·
Commissioned and dedicated
by maestros Carlos Prieto and Yo-Yo Ma. ·
Length: 5 minutes ·
Description: The title of the
piece makes reference to Cambridge, a city that has played an important role
in the lives of Yo-Yo Ma, Carlos Prieto and José Elizondo. In the words of
the composer: « One of my sources
of inspiration was my memories of the Charles River in Cambridge. The
reflections of the trees and skyline are modified and "recreated"
by the gentle waves, sometimes becoming a bit fuzzier but sometimes
transforming themselves into something that can be even more fanciful and
interesting than the original image. When one reflects upon things, our
experience of memories can be a little bit like that too, since our memories
don’t simply capture snapshots of reality, but rather of an interpretation of
reality that has been modified, distorted or enhanced by our minds, according
to our outlook and life experience. The conversation between the two cellos
in this piece sometimes uses imitation to evoke the idea of images and their reflections.
The melodic "images" are sometimes reflected accurately and
sometimes modified or expanded. These musical motives and their reflections
can be complementary, or their differences might propel each other in
unexpected directions, but they always keep flowing gently, like a river. The
cello melodies are sprinkled with longer high notes that are like the
shimmering sun light caressing the surface of the water. Since this piece was
written in 2020, I wanted to write a piece that is positive, warm and
uplifting, like a gentle caress that compassionately embraces the listener in
consolation of all people went through during 2020. It is a composition that
gently invites us to have a moment of serene, optimistic reflection, but also
gratitude for those shimmering moments that we still have in our lives. This piece is in the
key of G (the note G is also known as “sol”, which means
”sun” in Spanish) so I clearly wanted to write something sunny and
luminous. At the very heart of this piece, the “current” of this piece takes
us to a place where we hear 8 measures from the Minuet in Bach’s monumental
Cello Suite #1. It is meant as an homage to Bach, but also to maestros Prieto
and Ma. The first time I heard the Bach suites (live or in a recording) was
during a concert that maestro Prieto gave in Boston in the late 90s. That
concert inspired me and changed my life. And of course, maestro Ma's
recordings of Bach's Suites are iconic and have accompanied me and comforted
my soul in many important moments of my life. Since this takes inspiration
from a physical river, I also wanted to pay homage to the greatest “river” of
all in Classical Music: J. S. Bach, (Bach means “brook” or “stream” in
German). His music is an endless source of inspiration and awe. » |
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VERSION |
SCORE
AND PARTS |
SAMPLE
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2 Cellos
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Score and parts will be available
after the premiere TBD
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Hacia Belén (Towards Betlehem)
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·
Dedicated to Julie
Reimann and Ellyses Kuan ·
Length: 4 minutes ·
Mood: playful, energetic ·
Description: This is not an
original composition, but rather a playful and fanciful arrangement of a
well-known Christmas Carol from the XVIII Century by Antonio Soler (“Hacia Belén va
una burra, rin rin”). This arrangement presents a fun and unexpected
take on the Christmas carol that requires virtuosity from the pianist and the
cellist, and can be very good as an ice-breaker or a closing piece in a
Christmas program. ·
Premiere: Recording by Julie
Reimann and Ellyses Kuan,
June 2022 |
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Piano & Cello
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score & parts
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audio
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Crepúsculos (Alpenglow)
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·
Commissioned by and
dedicated to Turkish flutist Sefika Kutluer ·
Length: 4:30 minutes ·
Mood: contemplative, lyrical ·
Description: Alpenglow is a specific type of twilight,
consisting of a magical pinkish or orange light that appears at the top of
the Alps right before the sun goes down. The piece is sweet but melancholic,
with some elements of minimalist and impressionist inspiration. In the
versions with piano, the piano plays a "moto perpetuo". This
continuous stream of sound is sometimes sweet and tender, other times more
angular, and sometimes it quotes the Gregorian chant of death, the "Dies
Irae". It's meant to represent the inexorable passing of time, which
includes moments of joy, sorrow, mourning, etc. The main melody of the
soloist instrument is meant to be a comforting, warm and consoling presence
that accompanies the listener in this meditation about life and death. The
intention of the piece is to evoke a moment of joyful serenity. ·
Premiere: Sefika Kutluer, flute soloist.
Ankara String Ensemble. December 25th, 2019 ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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String Orchestra
(with piano) + Cello soloist
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score / parts
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String Orchestra + Cello soloist
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Cello solo
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score & parts
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audio
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Limoncello
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·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 4 minutes ·
Mood: light, serenely
joyful ·
Description: Limoncello is a very
sweet, peaceful, lyrical and tonal piece. It was written at the same time as
“The Dawn of Hope” and “Crepúsculos” (Twilights),
after the composer had lost someone very dear to him. While “The Dawn of
Hope” is about acknowledging the challenges in life, but using the
transforming energy of love and compassion to find hope for the future,
Limoncello is about that moment in which one can smile again after a tragedy,
and see the beauty of life again. “Crepúsculos” is
a meditation about the inexorable passing of time. Even though “Limoncello”
is "sunnier" and brighter than the other two pieces, it evokes a
sense of noble gentleness and tenderness. ·
Premiere: Lowell Chamber
Orchestra, Orlando Cela flute soloist and
conductor. December 2019 (recording), January 2021 (album release). ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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String Orchestra + Cello soloist
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score & parts
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Cello + Flute
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score & parts
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audio
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Cello + Violin
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score & parts
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audio
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Cello + Viola
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Cello solo
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score & parts
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audio
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Estampas Mexicanas / Mexican Vignettes
I.
I.
Ferial (Parade)
II.
II. Danza del Pájaro
Sagrado (Dance of the sacred bird)
III.Teotlalli
(Land of Gods)
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·
Length: 10 minutes total for all 3 movements (each
movement approximately 3 mins) ·
Mood: festive, joyful, Mexican, energetic, rhythmic ·
Movements: Suite in 3 movements. The first and third movements
can be performed independently. ·
Description: Estampas Mexicanas
is a suite featuring
Mexican folk elements. The composer was inspired by the rhythmic vitality of
the music of Carlos Chávez, the ritualistic mysticism of the works of
Silvestre Revueltas, and the lyrical melodies of
Manuel M. Ponce. o
1. Ferial is a festive parade of simple, colorful, folk-like
tunes and rhythms. The opening of this movement pays homage to composer
Carlos Chávez, paraphrasing the opening measures of his "Sinfonía India". But in contrast to Chávez’ work,
Elizondo uses this rhythmic material in a lighter manner to propel a set of
simple tuneful melodies, and to create a festive tapestry of sounds. o
2. Danza del Pájaro Sagrado is an imagined Aztec ritual invocation of the
sacred bird. The orchestration is sparse and symbolic. o
3. Teotlalli includes a celebratory statement of this movement’s
main theme in a symphonic version of the mariachi band. The mood for this
movement is energetic and full of life. ·
Premiere: The first performance of this piece was on December
9th, 1995 with the MIT Symphony Orchestra, conducted by David
Epstein (reading conducted by Alan Pierson). The professional premiere of
this piece was on July 6th, 1996 with the San Jose Symphony
Orchestra, conducted by Leonid Grin. |
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String Quartet
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #3
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String Quintet
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score & parts (all 3 movements)
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audio - movement
#1
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audio - movement
#2
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audio - movement
#3
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Cello + Viola +
Violin + Flute
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score & parts (movement #1)
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Chez
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·
Dedicated to Jeffrey
Sanchez ·
Length: 3:30 minutes ·
Mood: playful, lively but
serene, with flamenco influences ·
Description: This composition
was named after a friend of Elizondo’s, a talented guitarist whose playing
stirred his interest in Spanish guitar music and inspired this piece.
Originally composed for flute and guitar, the arrangement for flute and
string orchestra was made especially for Şefika Kutluer. The melodies in this piece originally drew
inspiration from the Mexican and Spanish folk traditions, and were later
influenced by Elizondo’s listening to Venezuelan waltzes performed by the
talented Orlando Cela. The “rondo” form provides an
easy structure for the composer to feature a musical conversation in which
the flute and the orchestra take turns introducing melodic material and
providing complementary countermelodies or ornamental commentary. ·
Premiere: This piece was
premiered by flutist Laura Vincent and guitarist Aaron Larget-Caplan
on January 24th, 2003 in Hudson, Massachusetts. The orchestra
version was created especially for Turkish flutist Sefika
Kutluer and was performed for the first time in her
album “Latin Romance” by Sefika, accompanied by the
Bratislava Strings Orchestra, conducted by Marian Lejava.
The recording took place on 2013 in Slovakia. |
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Guitar + Cello
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score & parts
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Canción de Cuna (Lullaby)
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·
Dedicated to WCRB
Boston Classical Music radio personality Laura Carlo ·
Length: 4 minutes ·
Mood: contemplative,
lyrical, tender ·
Description: As the title
indicates, Canción de Cuna is a tender lullaby, hence its simplicity and the
composer’s choice of a tonal, lyrical and straight-forward musical language. ·
Premiere: This piece was
premiered by flutist Laura Vincent and guitarist Aaron Larget-Caplan
in 2002 or 2003 in the Greater Boston Area. The orchestra version was created
especially for Turkish flutist Sefika Kutluer and was performed for the first time in her album
“Latin Romance” by Sefika, accompanied by the
Bratislava Strings Orchestra, conducted by Marian Lejava.
The recording took place on 2013 in Slovakia. |
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Cello + Flute
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score & parts
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Cello + Clarinet in Bb
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score & parts
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Cello + Oboe
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score & parts
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Cello + Guitar
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score & parts
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Cello + Violin
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score & parts
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Cello + Viola
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score & parts
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Cello + Piano
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score & parts
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Princesa de Hadas (Fairy Tale Princess)
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·
Commissioned by
Prof. Patricio F. Mendez ·
Length: 4 minutes ·
Mood: lyrical, tender ·
Description: Princesa de Hadas was commissioned by Argentine poet Patricio Méndez in
1996. The orchestral version was created for Şefika
Kutluer, who has championed it around the world.
The title of this piece refers to a verse from a poem by Méndez, where he
describes his beloved as a “fairy tale princess.” The musical material is
deliberately simple, tonal, and lyrical, in an attempt to evoke the innocence
and romanticism of the world created by the poet for his fairy tale princess. ·
Premiere: The original version
of this piece was premiered in the mid 90’s in the Greater Boston Area. The
orchestra version was created especially for Turkish flutist Sefika Kutluer and was
performed for the first time in her album “Latin Romance” by Sefika, accompanied by the Bratislava Strings Orchestra,
conducted by Marian Lejava. The recording took place
on 2013 in Slovakia. |
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AUDIO |
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String Orchestra + Flute soloist
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score & parts
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audio
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video
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Cello + Violin
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score & parts
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Cello + Viola
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score & parts
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audio
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video
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Cello + Flute
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