Please right-click on the following blue links to download the sheet music (scores & parts) and audio samples
· Danzas Latinoamericanas · I. Otoño en Buenos Aires (Autumn in Buenos Aires) · II. Pan de Azúcar (Sugar Loaf) · III. Atardecer Tapatío (Sunset in Guadalajara)
Duration: 10-15 minutes total, depending on the version (each movement is approximately 3 to 4 minutes long) All movements can be performed independently Danzas Latinoamericanas (Latin American Dances) was originally commissioned by Mexican cellist Carlos Prieto. It is based on some of the national dances of Argentina, Brazil and Mexico respectively. · Otoño en Buenos Aires, is indebted to the concert-style tangos of Astor Piazzolla, as well as the extraordinary songs of Carlos Gardel. · Pan de Azúcar is named after the famous mountain in Rio de Janeiro. It echoes the sensuous music of Antonio Carlos Jobim and the exuberant vitality of the works of Heitor Villa-Lobos. · Atardecer Tapatío is inspired by Mexican folk-dance music and the sound of “mariachi” bands. It is a tribute to the composer’s homeland.
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
String Orchestra + Cello soloist	score & parts (all 3 movements)			audio - movement #1
String Orchestra (with piano) + Cello soloist	score & parts (all 3 movements)
String Quartet	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2				video - movement #2
				audio - movement #3				video - movement #3
String Quintet	score & parts (all 3 movements)
Cello + 2 Violins + Bass	score & parts (movement #1)
Cello Ensemble (4 parts) For ensembles of 4, 12, 16 and more cellos	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #3				video - movement #3
Cello Ensemble (8 parts) For ensembles of 8 cellos	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2				video - movement #2
				audio - movement #3				video - movement #3
Cello Ensemble (4 parts) + Cello Soloist For ensembles of 4, 12, 16 and more cellos and additional cello soloist Also good for ensembles of 5 cellos	score & parts (all 3 movements)
Cello Ensemble (8 parts) + Bass For ensembles of 8 cellos + Bass	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2				video - movement #2
				audio - movement #3				video - movement #3
2 Cellos	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2				video - movement #2
				audio - movement #3				video - movement #3
Cello Solo	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2				video - movement #2
				audio - movement #3				video - movement #3
Cello + Viola	score & parts (all 3 movements)			audio - movement #1				video (all 3 movements)
				audio - movement #2
				audio - movement #3
Cello + Viola + Violin + Bassoon	score & parts (all movements)
Cello + Violin	score & parts (all 3 movements)			audio - movement #1				video (all 3 movements)
				audio - movement #2
				audio - movement #3
Cello + Violin + Piano	score & parts (all 3 movements)
Cello + Violin + Guitar	score & parts – movement #1
Cello + Contrabass	score & parts (all 3 movements)			audio - movement #1				video - movement #1
Cello + Piano	score & parts (all 3 movements)			audio - movement #1				video - movement #1
				audio - movement #2
				audio - movement #3
Cello + Guitar	score & parts (all 3 movements)			audio - movement #1				video - movement #1
Cello + Accordion	score & parts – movement #1
3
Cello + Flute	score & parts (all 3 movements)
Cello + Alto Saxophone	score & parts (all 3 movements)
Cello + Piano + Alto Saxophone	score & parts (all 3 movements)
Cello + Piano + Tenor Saxophone	score & parts - movement #2
Cello + Piano + Clarinet in Bb	score & parts (all 3 movements)
La Alborada de la Esperanza (The Dawn of Hope)
Duration: 4 minutes The inspiration for this composition is the journey from darkness to light that happens when someone faces a challenging situation and is able to turn around and focus on a more positive future to come. Even though there is some struggle and melancholy in this journey, it gets transformed into hope. The result is a surprisingly luminous composition. It's a very tonal and lyrical and it is dedicated to French cellist Sébastien Hurtaud. The piano and cello version was premiered by Sébastien Hurtaud and Pamela Hurtado as part of the celebrations of the 100th anniversary of the end of World War I on November 11th, 2018. The version for cello and string orchestra was premiered during the World Youth Days in Panama on January 24th, 2019.
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
String Orchestra	score & parts			audio				video
Cello soloist + String Orchestra	score & parts			audio				video
String Quartet	score & parts			audio				video
String Quintet	score & parts
Cello Solo	score & parts			audio				video
Cello Duet (2 cellos)	score & parts
Cello Ensemble (4 parts) For ensembles of 4, 12, 16 and more cellos	score & parts			audio				video
Cello Ensemble (4 parts) + Cello Soloist For ensembles of 4, 12, 16 and more cellos and additional Cello Soloist	score & parts
Cello Ensemble (8 parts) For ensembles of 8 cellos	score & parts
Cello + Violin	score & parts			audio				video
Cello + Violin + Piano	score & parts			audio				video
Cello + Violin + Guitar	score & parts
Cello + Viola	score & parts			audio				video
Cello + Piano	score & parts			audio				video
Cello + Guitar	score & parts
Cello + Flute	score & parts
Cello + Oboe	score & parts
Cello + Alto Saxophone + Piano	score & parts
Unter dem Sternenhimmel des Rheins (Under the starry sky of the Rhein) (Bajo el cielo estrellado del Rín)
Duration: 4 minutes Unter dem Sternenhimmel des Rheins was commissioned by German cellist Benedict Klöckner as a companion piece for Bach’s Cello Suites. The composer was particularly inspired by Mr. Klöckner’s performance of the Gigue in Bach’s Cello Suite #6, and even incorporates some quotes from that piece in his composition. In his attempt to include other elements that referenced Mr. Klöckner’s homeland in Rhineland-Palatinate, he was captivated by the evocative landscapes and medieval castles of the region.
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
Orchestra & Cello Soloist	Please email the composer
Cello solo	score & parts			audio				video
2 Cellos	score & parts
Cello & Violin	score & parts			audio				video
Cello & Viola	score & parts
Die Nachtblume (The Night Flower) (La Flor Nocturna)
Duration: 2 minutes and 40 seconds The composer was inspired by the poems of Baron Joseph von Eichendorff, and in particular, with the idea of the delicate and elusive “blue flower” that represents the balance of humanity with nature and spirituality. This piece attempts to provide a musical commentary about the ephemeral beauty and significance of The Night Flower (Die Nachtblume).
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
Orchestra & Cello Soloist	Please email the composer
Cello & Violin	score & parts			audio				video
Cello & Viola	score & parts
Cello & Flute	score & parts
Cello & Oboe	score & parts			audio				video
Cello & Guitar	score & parts
Die Legende des edlen Ritters (The Legend of the Noble Knight) (La Leyenda del Noble Caballero)
Duration: 12 minutes The first movement of this piece, Unter dem Sternenhimmel des Rheins (Under the starry sky of the Rhine), was commissioned by German cellist Benedict Klöckner as a companion piece for Bach’s Cello Suites. The composer was particularly inspired by Mr. Klöckner’s performance of the Gigue in Bach’s Cello Suite #6, and even incorporates some quotes from that piece in his composition. In his attempt to include other elements that referenced Mr. Klöckner’s homeland in Rhineland-Palatinate, he was captivated by the evocative landscapes and medieval castles of the region, as well as the legends associated with them. Having completed that cello solo piece, the composer wanted to further explore some of the themes presented in that piece. His encounter with the poems of Baron Joseph von Eichendorff led him to becoming enamored with the idea of the delicate and elusive “blue flower” that represents the balance of humanity with nature and spirituality. The second movement attempts to provide a musical comment about the ephemeral beauty and significance of The Night Flower (Die Nachtblume). The third movement uses the recognizable Gregorian Chant Dies Irae (Day of Wrath) and variations of it as the chant of the Lorelei, in an attempt to incorporate the legend of the unfortunate maiden-turned-enchantress associated with one of the geologic features of the banks of the Rhine. The fourth movement synthesizes the various musical and extra-musical themes introduced throughout the piece, bringing back, among other things, the melodies associated with the Bach Gigue from the Cello Suite #6.
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
Orchestra & Cello Soloist	Please email the composer
Cello & Violin	score & parts			audio				video
				audio
				audio
				audio
Cello & Viola	score & parts
2 Cellos	score & parts
Mondnacht (The Night of the Flower) (La Noche de la Luna)
Duration: 4 minutes The composer was inspired by the poem “Mondnacht” by Baron Joseph von Eichendorff and the idea of the light of the moon shimmering on the surface of a gently flowing river.
VERSION	SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
Piano, Cello & Violin	score & parts			audio				video
Crepúsculos (Alpenglow)
Duration: 4 minutes Alpenglow is a specific type of twilight, consisting of a magical pinkish or orange light that appears at the top of the Alps right before the sun goes down. The piece is sweet but melancholic, with some elements of minimalist and impressionist inspiration. The piano plays a "moto perpetuo" for most of the piece. The ethereal melodic line sometimes floats above the piano accompaniment and sometimes joins it in its perpetual motion. This composition is dedicated to Sefika Kutluer.
VERSION			SCORE AND PARTS			SAMPLE AUDIO			YOUTUBE VIDEO
String Orchestra (with piano) + Cello soloist			score / parts
String Orchestra + Cello soloist			score & parts
Cello + Piano			score & parts			audio			video
Cello solo			score & parts			audio			video
Limoncello
Limoncello is a very sweet, peaceful, lyrical and tonal piece. It is dedicated to Carlos Prieto. DURATION: 3:30 to 4 minutes
VERSION		SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
String Orchestra + Cello soloist		score & parts
Cello + Flute		score & parts			audio				video
Cello + Violin		score & parts			audio				video
Cello + Viola		score & parts
Cello + Piano		score & parts			audio				video
Cello solo		score & parts			audio				video
Estampas Mexicanas I. I. Ferial (Parade) II. II. Danza del Pájaro Sagrado (Dance of the sacred bird) III.Teotlalli (Land of Gods)
Duration: 10 minutes total (each movement is approximately 3 minutes long) The first and third movements can be performed independently Estampas Mexicanas (Mexican Vignettes) is a suite featuring Mexican folk elements. The composer was inspired by the rhythmic vitality of the music of Carlos Chávez, the ritualistic mysticism of the works of Silvestre Revueltas, and the lyrical melodies of Manuel M. Ponce. · Ferial is a festive parade of simple, colorful, folk-like tunes and rhythms. The opening of this movement pays homage to composer Carlos Chávez, paraphrasing the opening measures of his "Sinfonía India". But in contrast to Chávez’ work, Elizondo uses this rhythmic material in a lighter manner to propel his festive melodies and create a festive tapestry of sounds. · Danza del Pájaro Sagrado The second movement is an imagined Aztec ritual invocation of the sacred bird. The orchestration is sparse and symbolic. · Teotlalli includes a celebratory statement of this movement’s main theme in a symphonic version of the mariachi band.
VERSION		SCORE AND PARTS			SAMPLE AUDIO				YOUTUBE VIDEO
String Quartet		score & parts (all 3 movements)			audio - movement #1				video (movements #1 & #2)
					audio - movement #3
String Quintet		score & parts (all 3 movements)			audio - movement #1				video (all 3 movements)
					audio - movement #2
					audio - movement #3
Cello + Viola + Violin + Flute		score & parts (movement #1)
Chez
Duration: 3 to 3:30 minutes Chez was named after a friend of Elizondo’s, a talented guitarist whose playing stirred his interest in Spanish guitar music and inspired this piece. Originally composed for flute and guitar, the arrangement for flute and string orchestra was made especially for Şefika Kutluer. The melodies in this piece originally drew inspiration from the Mexican and Spanish folk traditions, and were later influenced by Elizondo’s listening to Venezuelan waltzes performed by the talented Orlando Cela. The “rondo” form provides an easy structure to the composer for featuring a musical conversation in which the flute and the orchestra take turns introducing melodic material and providing complementary countermelodies or ornamental commentary.
VERSION			SCORE AND PARTS				SAMPLE AUDIO			YOUTUBE VIDEO
Guitar + Cello			score & parts
Canción de Cuna (Lullaby)
Duration: 3:30 to 4 minutes As the title indicates, Canción de Cuna is a tender lullaby, hence its simplicity and the composer’s choice of a tonal, lyrical and straight-forward musical language.
VERSION			SCORE AND PARTS				SAMPLE AUDIO			YOUTUBE VIDEO
Cello + Flute			score & parts				audio			video
Cello + Clarinet in Bb			score & parts
Cello + Oboe			score & parts
Cello + Guitar			score & parts
Cello + Violin			score & parts
Cello + Viola			score & parts
Cello + Piano			score & parts				audio
Princesa de Hadas (Fairy Tale Princess)
Duration: 3-4 minutes Princesa de Hadas was commissioned by Argentine poet Patricio Méndez in 1996. The orchestral version was created for Şefika Kutluer, who has championed it around the world. The title of this piece refers to a verse from a poem by Méndez, where he describes his beloved as a “fairy tale princess.” The musical material is deliberately simple, tonal, and lyrical, in an attempt to evoke the innocence and romanticism of the world created by the poet for his fairy tale princess.
VERSION			SCORE AND PARTS				SAMPLE AUDIO		YOUTUBE VIDEO
Cello + Violin			score & parts
Cello + Viola			score & parts				audio		video
Cello + Flute			score & parts
Cello + Oboe			score & parts
Cello + Piano			score & parts				audio		video
Cello + Guitar			score & parts
Cello solo			score & parts				audio		video
Excursión a la Montaña (Excursion to the Mountain)
Duration of the orchestra version: 6 minutes Duration of the versions for flute solo, cello solo or alto sax solo: 3:30 minutes Excursión a la Montaña tells the story of the first excursion of a child to the top of a little mountain. Stylistically, the piece is inspired by the music of Debussy and Prokofiev. In addition to impressionistic harmonies, it incorporates elements of Mexican music and Spanish Flamenco music. This piece was originally written for a friend of the composer, flutist Kim Sopata. This piece has been championed, in particular, by the talented Orlando Cela, who has performed it extensively around the world.
VERSION			SCORE AND PARTS				SAMPLE AUDIO		YOUTUBE VIDEO
Cello Solo			score				audio
Baroque Dances
Duration: 7 minutes Baroque Dances is a suite of 3 short dances in Baroque style, inspired by Bach’s cello suites.
VERSION			SCORE AND PARTS				SAMPLE AUDIO		YOUTUBE VIDEO
Cello solo			score				audio