Please right-click on the following blue links to download the sheet music (scores & parts) and
audio samples |
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·
Danzas Latinoamericanas / Latin American Dances
·
I. Otoño en Buenos Aires / Autumn in Buenos Aires
·
II. Pan de Azúcar / Sugar Loaf
·
III. Atardecer Tapatío / Sunset in Guadalajara
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·
Commissioned by and
dedicated to Mexican cellist Carlos Prieto ·
Length: 10 to 15 minutes for all 3 movements (depending on
the version) ·
Mood: festive, lyrical, Latin, energetic ·
Movements: Three movements. They can be performed as a suite
or independently ·
Description: Danzas Latinoamericanas is a suite inspired by dances from Argentina
(tango), Brazil (bossa nova), and Mexico (jarabe). o 1. Otoño en Buenos Aires is a passionate tango that pays homage to the
music of Astor Piazzolla and Carlos Gardel. o 2. Pan de Azúcar is named after the famous mountain in Rio de
Janeiro. It is inspired by Brazilian bossa nova. It echoes the sensuous music
of Antonio Carlos Jobim and Heitor Villa-Lobos. The melodies in this piece
are expressive, melancholic and peaceful, with a general mood of "joyful
serenity". o
3. Atardecer Tapatío is inspired by Mexican jarabe folk-dance music and
the sound of “mariachi” bands. The music is worry-free, festive and full of
life. It is a tribute to the composer’s homeland. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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String Orchestra + Cello soloist
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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audio - movement #3
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String Orchestra (with piano)
+ Cello soloist
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score & parts (all 3 movements)
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audio - movement #1
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Cello + Violin + Piano
(Piano Trio)
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score &
parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Viola + Violin
+ Piano
(String Trio + Piano)
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score &
parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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audio - movement #3
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Cello Ensemble (8 parts)
For
ensembles of 8 cellos
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello Ensemble (8 parts) + Bass
For
ensembles of 8 cellos + Bass
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello Ensemble (5 cellos)
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score & parts (all 3 movements)
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Cello Ensemble (4 parts)
For
ensembles of 4, 12, 16 and more cellos
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #3
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video - movement #3
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Cello Ensemble
(4 parts + Bass)
For ensembles of 4, 12, 16 and
more cellos + Bass
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score &
parts (all 3 movements)
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3 Cellos
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score &
parts – movement #1
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2 Cellos
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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2 Cellos +
Piano
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score &
parts (all 3 movements)
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Cello Solo
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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audio - movement #3
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video - movement #3
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Cello + Viola
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score &
parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Viola + Violin + Bassoon
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score &
parts (all 3 movements)
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Cello + Violin
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Violin + Piano
(Piano Trio)
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Cello + Viola + Violin + Piano
(String Trio +
Piano)
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #2
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audio - movement #3
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Cello + Violin + Guitar
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score & parts – movement #1
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Cello + Violin
+ Flute
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score &
parts (all 3 movements)
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Cello + Violin
+ Alto Saxophone
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score &
parts (all 3 movements)
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Cello +
Contrabass
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Cello + Piano
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video (all 3 movements)
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audio - movement #3
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Cello + Guitar
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video - movement #2
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Cello + Guitar
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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Cello + Accordion
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score & parts – movement #1
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3
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Cello + Flute
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score & parts (all 3 movements)
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Cello + Flute + Piano
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score & parts (all 3 movements)
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Cello + Alto Saxophone
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score & parts (all 3 movements)
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Cello + Alto Saxophone + Piano
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score &
parts (all 3 movements)
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Cello + Tenor Saxophone + Piano
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score & parts - movement #2
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Cello + Clarinet in Bb
+ Piano
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score & parts (all 3 movements)
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La Alborada de la Esperanza / The Dawn of
Hope
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·
Commissioned by and
dedicated to French cellist Sébastien Hurtaud ·
Length: 4 minutes ·
Mood: contemplative,
lyrical ·
Description: "The Dawn of
Hope" is a composition about the journey from darkness to light. Just as
the light of the rising sun dissipates the darkness of the night, and fills
us with the promise of a bright and beautiful new day, hope and compassion
give light to life's challenges and remind us that we can overcome adversity
and focuses on the hope of a better future. ·
Premiere: The piano and cello
version was premiered by Sébastien Hurtaud and
Pamela Hurtado as part of the celebrations of the 100th anniversary of the
end of World War I on November 11th, 2018. The version for cello and string
orchestra was premiered during the World Youth Days in Panama on January
24th, 2019. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Cello soloist +
String Orchestra
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score & parts
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audio
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video
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Cello Solo
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score & parts
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audio
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video
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Cello Duet (2
cellos)
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score & parts
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audio
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video
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Cello Trio (2 cellos + Piano)
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score & parts
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Cello Ensemble
(4 parts)
For ensembles of 4, 12, 16 and
more cellos
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score & parts
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audio
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video
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Cello Ensemble
(5 cellos)
|
score & parts
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Cello Ensemble
(8 parts)
For ensembles of 8 cellos
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score & parts
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Cello + Violin
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score & parts
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audio
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video
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Cello + Violin
+ Piano
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score & parts
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audio
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video
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Cello + Violin
+ Guitar
|
score & parts
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Cello + Viola
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Cello + Guitar
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score & parts
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Cello + Flute
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score & parts
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Cello + Oboe
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score & parts
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Cello + Soprano
Saxophone
|
score & parts
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Cello + Alto
Saxophone
|
score & parts
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Cello + Alto
Saxophone + Piano
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score & parts
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Unter
dem Sternenhimmel des Rheins
Under the starry sky
of the Rhein / Bajo el cielo
estrellado del Rín
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·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 4 minutes ·
Mood: epic, cinematic,
lyrical ·
Description: This piece was
commissioned by German cellist Benedict Klöckner as
a companion piece for Bach’s Cello Suites. The composer was particularly
inspired by maestro Klöckner’s performance of the
Gigue in Bach’s Cello Suite #6, and even incorporates some quotes from that
piece in his composition. In his attempt to include other elements that
referenced maestro Klöckner’s homeland in
Rhineland-Palatinate, he was inspired by the evocative landscapes and
medieval castles of the region. ·
Premiere: Benedict Klöckner premiered this piece on July 5th,
2020 at Schloss Burg Namedy in Andernach,
Germany. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Orchestra & Cello Soloist
|
Please email the composer
|
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Cello solo
|
score & parts
|
audio
|
video
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2 Cellos
|
score & parts
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Cello & Violin
|
score & parts
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audio
|
video
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Cello & Viola
|
score & parts
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Die Nachtblume / The Night
Flower / La Flor Nocturna
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·
Length: 4 minutes ·
Mood: contemplative, lyrical, tender ·
Note: This is the second movement of “The Legend of the
Noble Knight”. It works very well as an independent piece. ·
Description: The composer was inspired by the poems of Baron
Joseph von Eichendorff, and in particular, by the idea of the delicate and
elusive “blue flower” that represents the balance of humanity with nature and
spirituality. This piece attempts to provide a musical commentary about the
ephemeral beauty and significance of The Night Flower (Die Nachtblume). ·
Premiere: Cellist Benedict Klöckner
and violinist Yury Revich premiered this piece on
July 11th, 2020 at Kloster Eberbach in Eltville
am Rhein, Germany. ·
Programming notes: This piece can be performed independently, or in
its original setting, as the second movement of “The Legend of the Noble
Knight”. Moreover, this piece can also be performed as a suite in combination
with other compositions by Elizondo. For example: o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
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Orchestra &
Cello Soloist
|
Please email the composer
|
audio
|
video
|
|
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|
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String Orchestra
& Cello Soloist
|
Please email the composer
|
audio
|
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Cello & Violin
|
score & parts
|
audio
|
video
|
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Cello & Viola
|
score & parts
|
audio
|
video
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Cello &
Flute
|
score & parts
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Cello &
Oboe
|
score & parts
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audio
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video
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Cello &
Guitar
|
score & parts
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Piano + Cello +
Flute
|
score & parts
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Piano + Cello +
Violin
|
score & parts
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Die Legende des edlen
Ritters
The Legend of
the Noble Knight / La Leyenda del Noble Caballero
·
I. Unter dem Sternenhimmel des Rheins /
Under the starry sky of
the Rhine
·
II. Die Nachtblume / The Night
Flower
·
III. Loreleis Erlösung /
Lorelei’s Redemption
·
IV.
Ein Heldenempfang / A Hero’s Welcome
|
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·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 15 minutes ·
Mood: epic, cinematic, lyrical ·
Movements: Suite in four movements ·
Description: o 1. Under the starry sky of the Rhine. This movement was originally written as a
stand-alone piece and was commissioned by German cellist Benedict Klöckner as a companion piece for Bach’s Cello Suites.
The composer was particularly inspired by Mr. Klöckner’s
performance of the Gigue in Bach’s Cello Suite #6, and even incorporates some
quotes from that piece in his composition. In his attempt to include other
elements that referenced Mr. Klöckner’s homeland in
Rhineland-Palatinate, he was inspired by the evocative landscapes and
medieval castles of the region, as well as the legends associated with them. o 2. The Night Flower. Inspired by the poems of Baron Joseph von
Eichendorff led him to becoming enamored with the idea of the delicate and
elusive “blue flower” that represents the balance of humanity with nature and
spirituality. The second movement attempts to provide a musical comment about
the ephemeral beauty and significance of the night flower. o 3. Lorelei’s Redemption. This movement uses the Gregorian Chant Dies Irae
(Day of Wrath) and variations of it to represent the chant of the Lorelei, in
an attempt to incorporate the legend of the unfortunate
maiden-turned-enchantress associated with one of the geologic features of the
banks of the Rhine. o 4. A Hero’s Welcome. This movement synthesizes the various musical and
extra-musical themes introduced throughout the piece, bringing back, among
other things, the melodies associated with the Bach Gigue from the Cello
Suite #6. ·
Premiere: The violin and cello duet version of this piece
was premiered by cellist Benedict Klöckner and
violinist Yury Revich, on July 11th,
2020 at Kloster Eberbach in Eltville am Rhein,
Germany. The premiere of the cello concerto version is scheduled for
2023. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
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Orchestra &
Cello Soloist
cello
soloist, strings, 1 flute, 1 oboe, 1 clarinet, 1 trumpet, 1 horn, percussion
(timpani, triangle and bells)
|
Please email the composer to obtain the free score
for this CELLO CONCERTO
|
audio
|
video
|
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|
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String
Orchestra (percussion optional) & Cello Soloist
cello soloist,
strings,
--with
optional percussion (timpani, triangle and bells)
|
Please email the composer to obtain the free score
for this CELLO CONCERTO
|
audio
|
video
|
|
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audio
|
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audio
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audio
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Cello &
Violin
|
score & parts
|
audio
|
video
|
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audio
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audio
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audio
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Cello & Viola
|
score & parts
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2 Cellos
|
score & parts
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Cello + Piano
|
score & parts
|
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|
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Mondnacht
/ The Night
of the Moon / La Noche de la Luna
|
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·
Commissioned by
Benedict Klöckner ·
Dedicated to
Benedict Klöckner, Yury Revich
and Danae Dörken ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: The composer was
inspired by the poem “Mondnacht” by Baron Joseph
von Eichendorff and the idea of the light of the moon shimmering on the
surface of a gently flowing river. This is a piece about
how people can find beauty and serenity in life, in spite of seemingly
unsurmountable difficulties. The light of the moon projecting its silver
shimmery beauty onto the peaceful surface of a river, in spite of the
turbulent undercurrent. ·
Premiere: The cello, violin
and piano trio version of this piece was premiered by cellist Benedict Klöckner, violinist Yury Revich
and pianist Danae Dörken, on July 11th,
2021 at the Rhein Mosel Halle in Koblenz, Germany. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night of
the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|
|||||||
Piano, Cello
& Violin
|
score & parts
|
audio
|
video
|
|
|||||||
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Piano, Cello & Clarinet
|
score & parts
|
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Cherry Blossoms / Cerezos en Flor
|
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·
Dedicated to
Benedict Klöckner and Clémence de Forceville ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: This is a piece about
grace in the face of great sorrow, and how the simplest most delicate things
in life can sometimes produce the deepest effects in our hearts. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|
|||||||
Piano, Cello
& Violin
|
score & parts
|
audio
|
video
|
|
|||||||
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Piano, Cello
& Alto Saxophone
|
score & parts
|
|
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Piano, Cello
& Flute
|
score & parts
|
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Piano &
Cello
|
score & parts
|
audio
|
video
|
|
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|
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Cantabrigian
Reflections / Reflexiones de Cambridge
|
|||||||||||
·
Commissioned and dedicated
by maestros Carlos Prieto and Yo-Yo Ma. ·
Length: 5 minutes ·
Description: The title of the
piece makes reference to Cambridge, a city that has played an important role
in the lives of Yo-Yo Ma, Carlos Prieto and José Elizondo. In the words of
the composer: « One of my sources
of inspiration was my memories of the Charles River in Cambridge. The
reflections of the trees and skyline are modified and "recreated"
by the gentle waves, sometimes becoming a bit fuzzier but sometimes
transforming themselves into something that can be even more fanciful and
interesting than the original image. When one reflects upon things, our
experience of memories can be a little bit like that too, since our memories
don’t simply capture snapshots of reality, but rather of an interpretation of
reality that has been modified, distorted or enhanced by our minds, according
to our outlook and life experience. The conversation between the two cellos
in this piece sometimes uses imitation to evoke the idea of images and their
reflections. The melodic "images" are sometimes reflected
accurately and sometimes modified or expanded. These musical motives and
their reflections can be complementary, or their differences might propel
each other in unexpected directions, but they always keep flowing gently,
like a river. The cello melodies are sprinkled with longer high notes that
are like the shimmering sun light caressing the surface of the water. Since this piece was
written in 2020, I wanted to write a piece that is positive, warm and
uplifting, like a gentle caress that compassionately embraces the listener in
consolation of all people went through during 2020. It is a composition that
gently invites us to have a moment of serene, optimistic reflection, but also
gratitude for those shimmering moments that we still have in our lives. This piece is in the
key of G (the note G is also known as “sol”, which means
”sun” in Spanish) so I clearly wanted to write something sunny and
luminous. At the very heart of this piece, the “current” of this piece takes
us to a place where we hear 8 measures from the Minuet in Bach’s monumental
Cello Suite #1. It is meant as an homage to Bach, but also to maestros Prieto
and Ma. The first time I heard the Bach suites (live or in a recording) was
during a concert that maestro Prieto gave in Boston in the late 90s. That
concert inspired me and changed my life. And of course, maestro Ma's
recordings of Bach's Suites are iconic and have accompanied me and comforted
my soul in many important moments of my life. Since this takes inspiration
from a physical river, I also wanted to pay homage to the greatest “river” of
all in Classical Music: J. S. Bach, (Bach means “brook” or “stream” in
German). His music is an endless source of inspiration and awe. » |
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2 Cellos
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Score and parts will be available
after the premiere TBD
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Crepúsculos / Twilights / Alpenglow
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·
Commissioned by and dedicated
to Turkish flutist Sefika Kutluer ·
Length: 4:30 minutes ·
Mood: contemplative, lyrical ·
Description: Alpenglow is a specific type of twilight,
consisting of a magical pinkish or orange light that appears at the top of
the Alps right before the sun goes down. The piece is sweet but melancholic,
with some elements of minimalist and impressionist inspiration. In the
versions with piano, the piano plays a "moto perpetuo". This
continuous stream of sound is sometimes sweet and tender, other times more
angular, and sometimes it quotes the Gregorian chant of death, the "Dies
Irae". It's meant to represent the inexorable passing of time, which
includes moments of joy, sorrow, mourning, etc. The main melody of the
soloist instrument is meant to be a comforting, warm and consoling presence
that accompanies the listener in this meditation about life and death. The intention
of the piece is to evoke a moment of joyful serenity. ·
Premiere: Sefika Kutluer, flute
soloist. Ankara String Ensemble. December 25th, 2019 ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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String Orchestra (with piano) + Cello soloist
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score / parts
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String
Orchestra + Cello soloist
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Cello solo
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score & parts
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audio
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Limoncello
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·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 4 minutes ·
Mood: light, serenely joyful ·
Description: Limoncello is a very sweet, peaceful, lyrical and
tonal piece. It was written at the same time as “The Dawn of Hope” and “Crepúsculos” (Twilights), after the composer had lost
someone very dear to him. While “The Dawn of Hope” is about acknowledging the
challenges in life, but using the transforming energy of love and compassion
to find hope for the future, Limoncello is about that moment in which one can
smile again after a tragedy, and see the beauty of life again. “Crepúsculos” is a meditation about the inexorable passing
of time. Even though “Limoncello” is "sunnier" and brighter than
the other two pieces, it evokes a sense of noble gentleness and tenderness. ·
Premiere: Lowell Chamber Orchestra, Orlando Cela flute
soloist and conductor. December 2019 (recording), January 2021 (album
release). ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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String Orchestra (with optional piano)
+ Cello soloist
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score & parts
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Cello + Flute
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score & parts
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Cello + Alto Saxophone
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score & parts
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Cello + Violin
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score & parts
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Cello + Viola
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score & parts
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