Please right-click on the
following blue links to download the
sheet music (scores & parts) and audio samples |
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·
Danzas Latinoamericanas / Latin American Dances
·
I. Otoño en Buenos Aires / Autumn in Buenos Aires
·
II. Pan de Azúcar / Sugar Loaf
·
III. Atardecer Tapatío / Sunset in Guadalajara
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·
Commissioned by and
dedicated to Mexican cellist Carlos Prieto ·
Length: 10 to 15 minutes for
all 3 movements (depending on the version) ·
Mood: festive, lyrical,
Latin, energetic ·
Movements: Three movements.
They can be performed as a suite or independently ·
Description: Danzas Latinoamericanas is a suite inspired
by dances from Argentina (tango), Brazil (bossa nova), and Mexico (jarabe). o 1. Otoño en Buenos Aires is a passionate
tango that pays homage to the music of Astor Piazzolla
and Carlos Gardel. o 2. Pan de Azúcar is named after
the famous mountain in Rio de Janeiro. It is inspired by Brazilian bossa
nova. It echoes the sensuous music of Antonio Carlos Jobim
and Heitor Villa-Lobos. The melodies in this piece
are expressive, melancholic and peaceful, with a general mood of "joyful
serenity". o
3. Atardecer Tapatío is inspired by
Mexican jarabe folk-dance music and the sound of “mariachi” bands. The music
is worry-free, festive and full of life. It is a tribute to the composer’s
homeland. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String Orchestra + Piano
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score & parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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audio - movement #3
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String Orchestra (with piano) + Flute soloist
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score & parts (all 3 movements)
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String Orchestra (with piano)
+ Cello soloist
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score & parts (all 3 movements)
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Chamber Ensemble
(strings,
piano, 1 clarinet in Bb, 1 trumpet)
*Strings can be a string orchestra or a string quintet
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score & parts - movement #3
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String Trio + Piano
(violin, viola, cello, piano)
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score & parts (all 3 movements)
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String Quartet + Piano
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score & parts (all 3 movements)
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String Quartet (with piano) + Flute soloist
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score & parts (all 3 movements)
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audio - movement #1
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audio - movement #3
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String Quintet + Piano
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score & parts (all 3 movements)
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Cello + Violin + Piano
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score &
parts (all 3 movements)
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video (all 3 movements)
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Cello + Piano
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score &
parts (all 3 movements)
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audio - movement #1
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video - movement #1
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audio - movement #2
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video (all 3 movements)
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audio - movement #3
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Cello + Accordion
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score & parts – movement #1
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3
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Cello + Alto Saxophone + Piano
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score &
parts (all 3 movements)
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Cello + Tenor Saxophone + Piano
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score & parts - movement #2
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Cello + Clarinet in Bb + Piano
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score & parts (all 3 movements)
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Violin + Piano
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Violin + Alto Saxophone + Piano
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score & parts - movement #1
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audio - movement #1
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video - movement #1
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Violin + Accordion
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score & parts – movement #1
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Viola + Piano
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score & parts (all 3 movements)
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Viola + Alto Saxophone
+ Piano
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score &
parts (all 3 movements)
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Flute + Piano
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score & parts (all 3 movements)
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audio - movement
#1
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video (all 3 movements)
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audio - movement
#2
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audio - movement
#3
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Clarinet +
Piano
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score & parts (all 3 movements)
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audio - movement
#1
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video (all 3 movements)
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audio - movement
#2
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audio - movement
#3
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Alto Saxophone
+ Accordion
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score & parts - movement #1
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Piano solo
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score & parts - movement #1
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audio - movement #1
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video - movement #1
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Piano 4 hands
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score & parts (all 3 movements)
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audio - movement #1
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video (all 3 movements)
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audio - movement #2
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audio - movement #3
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Voice + Piano
(in D)
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score & parts - movement #1
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audio - movement
#1
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video - movement #1
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Voice (tenor) +
Piano (in E)
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score & parts - movement #1
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audio - movement
#1
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video - movement #1
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Voice (soprano)
+ Piano (in E)
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score & parts - movement #1
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audio - movement
#1
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video - movement #1
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Voice + Piano
(in F)
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score & parts - movement #1
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audio - movement
#1
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video - movement #1
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Voice + Piano (in F) + Bandoneon
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score & parts - movement #1
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audio - movement #1
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video - movement #1
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La Alborada de la Esperanza / The Dawn of
Hope
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·
Commissioned by and
dedicated to French cellist Sébastien Hurtaud ·
Length: 4 minutes ·
Mood: contemplative,
lyrical ·
Description: "The Dawn of
Hope" is a composition about the journey from darkness to light. Just as
the light of the rising sun dissipates the darkness of the night, and fills
us with the promise of a bright and beautiful new day, hope and compassion
give light to life's challenges and remind us that we can overcome adversity
and focuses on the hope of a better future. ·
Premiere: The piano and cello
version was premiered by Sébastien Hurtaud and
Pamela Hurtado as part of the celebrations of the 100th anniversary of the
end of World War I on November 11th, 2018. The version for cello and string
orchestra was premiered during the World Youth Days in Panama on January
24th, 2019. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Cello + Violin + Piano
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score & parts
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audio
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video
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Cello + Piano
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score & parts
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audio
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video
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Cello + Alto Saxophone + Piano
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score & parts
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Violin + Piano
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score & parts
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audio
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video
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Viola + Piano
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score & parts
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audio
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video
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Contrabass + Piano
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score & parts
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Alto Flute + Piano
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score & parts
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Alto Flute +
Flute + Harp
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score & parts
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Flute + Piano
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score & parts
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audio
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video
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Clarinet + Piano
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score & parts
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Oboe + Piano
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score & parts
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audio
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video
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English Horn + Piano
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score & parts
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Bassoon + Piano
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score & parts
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Alto Saxophone + Piano
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score & parts
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audio
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video
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Alto Saxophone
+ Cello + Piano
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score & parts
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Trumpet in Bb +
Piano
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score & parts
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Piano solo
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score & parts
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Voice (soprano)
+ Piano (in G)
SPANISH Lyrics by Rafael Z Flores
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score & parts
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Voice (tenor / baritone) + Piano (in G)
SPANISH Lyrics by Rafael Z Flores
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score & parts
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audio
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video
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Voice + Piano
(in A)
SPANISH Lyrics by Rafael Z Flores
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score & parts
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audio
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video
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Voice + Piano
(in B)
SPANISH Lyrics by Rafael Z Flores
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score & parts
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Voice + Piano
(in C)
SPANISH Lyrics by Rafael Z Flores
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score & parts
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Voice + Piano
(in Bb)
SPANISH Lyrics by Patricio Mendez
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score & parts
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audio
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Voice + Piano
(in G)
ENGLISH Lyrics by Timotheus Vermote
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score & parts
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audio
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Choir + Piano
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score & parts
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Mondnacht / The Night
of the Moon / La Noche de la Luna
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·
Commissioned by
Benedict Klöckner ·
Dedicated to
Benedict Klöckner, Yury Revich and Danae Dörken ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: The composer was inspired by the poem “Mondnacht” by Baron Joseph von Eichendorff and the idea of
the light of the moon shimmering on the surface of a gently flowing river. This is a piece about how people can find beauty and serenity in
life, in spite of seemingly unsurmountable difficulties. The light of the
moon projecting its silver shimmery beauty onto the peaceful surface of a
river, in spite of the turbulent undercurrent. ·
Premiere: The cello, violin and piano trio version of this
piece was premiered by cellist Benedict Klöckner,
violinist Yury Revich and
pianist Danae Dörken, on July 11th, 2021
at the Rhein Mosel Halle in Koblenz, Germany. ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” o
“The Night
of the Moon”, “The Night Flower”, “The Dawn of
Hope” |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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Piano, Cello
& Violin
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score & parts
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audio
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video
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Piano, Cello
& Clarinet
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score & parts
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Piano, 2 Flutes
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score & parts
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audio
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Cherry Blossoms / Cerezos en Flor
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·
Dedicated to
Benedict Klöckner and Clémence
de Forceville ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: This is a piece
about grace in the face of great sorrow, and how the simplest most delicate
things in life can sometimes produce the deepest effects in our hearts. ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Night
of the Moon”, “The Dawn of Hope”, “Cherry
Blossoms” |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Piano, Cello & Violin
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Score and parts will be available on
October 2022 after the premiere
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Piano, Clarinet & Flute
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Score and parts will be available on October
2022 after the premiere
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Piano & Cello
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Score and parts will be available on
October 2022 after the premiere
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Hacia Belén (Towards Betlehem)
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·
Dedicated to Julie
Reimann and Ellyses Kuan ·
Length: 4 minutes ·
Mood: playful, energetic ·
Description: This is not an
original composition, but rather a playful and fanciful arrangement of a
well-known Christmas Carol from the XVIII Century by Antonio Soler (“Hacia Belén va
una burra, rin rin”). This arrangement presents a fun and unexpected take
on the Christmas carol that requires virtuosity from the pianist and the
cellist, and can be very good as an ice-breaker or a closing piece in a
Christmas program. ·
Premiere: Recording by Julie
Reimann and Ellyses Kuan,
June 2022 |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Piano & Cello
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score & parts
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audio
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Zephyr’s
Smile (La Sonrisa de Céfiro)
·
I. Papalotes / Kites
·
II. Rehiletes / Windmills
·
III. Luces de Bengala / Sparklers
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·
Length: 5 minutes ·
Mood: playful, light,
energetic ·
Movements: Three movements. They
can be played as a suite or independently. ·
Description: Each of the three
movements in this suite is named after a toy that requires the gentle action
of the wind to function. Since Zephyr is the most celebrated wind in music
and poetry for its gentle, benevolent breeze, it seemed appropriate to
anthropomorphize him and imagining him smiling at these images that bring
back joyful moments of childhood and celebration. This composition is meant
to be light-hearted, joyful and full of energy. ·
Premiere: Edward Cohen,
November 2020 |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Piano solo
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score & parts
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audio
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video
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Crepúsculos (Alpenglow)
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·
Commissioned by and
dedicated to Turkish flutist Sefika Kutluer ·
Length: 4:30 minutes ·
Mood: contemplative, lyrical ·
Description: Alpenglow is a specific type of twilight,
consisting of a magical pinkish or orange light that appears at the top of
the Alps right before the sun goes down. The piece is sweet but melancholic,
with some elements of minimalist and impressionist inspiration. In the
versions with piano, the piano plays a "moto perpetuo". This
continuous stream of sound is sometimes sweet and tender, other times more
angular, and sometimes it quotes the Gregorian chant of death, the "Dies
Irae". It's meant to represent the inexorable passing of time, which
includes moments of joy, sorrow, mourning, etc. The main melody of the
soloist instrument is meant to be a comforting, warm and consoling presence
that accompanies the listener in this meditation about life and death. The
intention of the piece is to evoke a moment of joyful serenity. ·
Premiere: Sefika Kutluer, flute soloist.
Ankara String Ensemble. December 25th, 2019 ·
Programming notes: This piece can be performed as a suite in
combination with other compositions by Elizondo. For example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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String Orchestra
(with piano) + Cello soloist
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score / parts
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String
Orchestra (with piano) + Violin soloist
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score / parts
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String
Orchestra (with piano) + Flute soloist
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score / parts
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audio
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video
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String
Orchestra (with piano) + Alto Saxophone soloist
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score / parts
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Cello + Piano
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score & parts
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audio
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video
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Violin + Piano
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score & parts
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Viola + Piano
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score & parts
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audio
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video
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Flute + Piano
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score & parts
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Bassoon + Piano
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score & parts
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English Horn +
Piano
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score & parts
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Alto Saxophone
+ Piano
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score & parts
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Limoncello
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·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 4 minutes ·
Mood: light, serenely
joyful ·
Description: Limoncello is a very
sweet, peaceful, lyrical and tonal piece. It was written at the same time as
“The Dawn of Hope” and “Crepúsculos” (Twilights),
after the composer had lost someone very dear to him. While “The Dawn of
Hope” is about acknowledging the challenges in life, but using the
transforming energy of love and compassion to find hope for the future,
Limoncello is about that moment in which one can smile again after a tragedy,
and see the beauty of life again. “Crepúsculos” is
a meditation about the inexorable passing of time. Even though “Limoncello”
is "sunnier" and brighter than the other two pieces, it evokes a
sense of noble gentleness and tenderness. ·
Premiere: Lowell Chamber
Orchestra, Orlando Cela flute soloist and
conductor. December 2019 (recording), January 2021 (album release). ·
Programming notes: This piece can be
performed as a suite in combination with other compositions by Elizondo. For
example: o
“The Dawn of
Hope”, “Limoncello”, “Crepúsculos” (Twilights) |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String
Orchestra with piano + Violin soloist
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score & parts
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String Orchestra with piano + Flute soloist
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score & parts
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audio
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video
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String Orchestra with piano + Alto Saxophone
soloist
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score & parts
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Cello + Piano
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score & parts
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audio
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video
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Violin + Piano
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score & parts
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Viola + Piano
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score & parts
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Flute + Piano
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score & parts
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audio
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Oboe + Piano
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score & parts
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English Horn + Piano
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score & parts
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Alto Saxophone + Piano
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score & parts
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audio
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video
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Estampas Mexicanas / Mexican Vignettes
I.
I.
Ferial (Parade)
II.
II. Danza del Pájaro
Sagrado (Dance of the sacred bird)
III.Teotlalli
(Land of Gods)
|
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·
Length: 10 minutes total for all 3 movements (each
movement approximately 3 mins) ·
Mood: festive, joyful, Mexican, energetic, rhythmic ·
Movements: Suite in 3 movements. The first and third movements
can be performed independently. ·
Description: Estampas Mexicanas
is a suite featuring
Mexican folk elements. The composer was inspired by the rhythmic vitality of
the music of Carlos Chávez, the ritualistic mysticism of the works of
Silvestre Revueltas, and the lyrical melodies of
Manuel M. Ponce. o
1. Ferial is a festive parade of simple, colorful, folk-like
tunes and rhythms. The opening of this movement pays homage to composer
Carlos Chávez, paraphrasing the opening measures of his "Sinfonía India". But in contrast to Chávez’ work,
Elizondo uses this rhythmic material in a lighter manner to propel a set of
simple tuneful melodies, and to create a festive tapestry of sounds. o
2. Danza del Pájaro Sagrado is an imagined Aztec ritual invocation of the
sacred bird. The orchestration is sparse and symbolic. o
3. Teotlalli includes a celebratory statement of this movement’s
main theme in a symphonic version of the mariachi band. The mood for this
movement is energetic and full of life. ·
Premiere: The first performance of this piece was on December
9th, 1995 with the MIT Symphony Orchestra, conducted by David
Epstein (reading conducted by Alan Pierson). The professional premiere of
this piece was on July 6th, 1996 with the San Jose Symphony
Orchestra, conducted by Leonid Grin. |
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VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
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String
Orchestra + Piano
|
score & parts - movement #1
|
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Chamber
Ensemble
(strings, piano, 1 clarinet in Bb, 1 trumpet, 1 “optional”
percussionist)
*Strings
can be a string orchestra or a string quintet
|
score & parts (movements #1 &
#3)
|
|
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Despapaye
|
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·
Commissioned by and
dedicated to Venezuelan conductor and flutist Orlando Cela ·
Length: 4 minutes ·
Mood: light, joyful, with
a bit of humor ·
Description: This composition combines
Baroque elements with Latin American salsa. This piece is intended for Pops,
light concerts or as a fun encore. It starts as a standard Baroque dance, but
at some point “peculiar” things start to happen (seemingly out-of-place
glissandos, pizzicatos, etc) that eventually
transform the piece into a very fun and rhythmic salsa. ·
Premiere: Lowell Chamber
Orchestra, Orlando Cela flute soloist and
conductor. December 2019 (recording), January 2021 (album release). |
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VERSION |
SCORE AND
PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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String Orchestra with piano + Flute soloist
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score & parts
|
audio
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String Orchestra with piano + Alto Saxophone
soloist
|
score & parts
|
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Canción de Cuna (Lullaby)
|
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·
Dedicated to WCRB Boston
Classical Music radio personality Laura Carlo ·
Length: 4 minutes ·
Mood: contemplative,
lyrical, tender ·
Description: As the title
indicates, Canción de Cuna is a tender lullaby, hence its simplicity and the
composer’s choice of a tonal, lyrical and straight-forward musical language. ·
Premiere: This piece was
premiered by flutist Laura Vincent and guitarist Aaron Larget-Caplan
in 2002 or 2003 in the Greater Boston Area. The orchestra version was created
especially for Turkish flutist Sefika Kutluer and was performed for the first time in her album
“Latin Romance” by Sefika, accompanied by the
Bratislava Strings Orchestra, conducted by Marian Lejava.
The recording took place on 2013 in Slovakia. |
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VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
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Cello + Piano
|
score & parts
|
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Viola + Piano
|
score & parts
|
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Violin + Piano
|
score & parts
|
audio
|
video
|
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|
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Flute + Piano
|
score & parts
|
audio
|
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|
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Flute + Alto Flute + Piano
|
score & parts
|
|
|
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Flute + Cello + Violin + Piano
|
score & parts
|
|
|
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|
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Flute + Cello + Viola + Piano
|
score & parts
|
|
|
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|
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Oboe + Piano
|
score & parts
|
audio
|
video
|
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|
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Clarinet + Cello + Piano
|
score & parts
|
|
|
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|
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Bassoon + Piano
|
score & parts
|
|
|
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|
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|
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Princesa de Hadas (Fairy Tale Princess)
|
|||||||||||
·
Commissioned by
Prof. Patricio F. Mendez ·
Length: 4 minutes ·
Mood: lyrical, tender ·
Description: Princesa de Hadas was commissioned by Argentine poet Patricio Méndez
in 1996. The orchestral version was created for Şefika
Kutluer, who has championed it around the world.
The title of this piece refers to a verse from a poem by Méndez, where he
describes his beloved as a “fairy tale princess.” The musical material is
deliberately simple, tonal, and lyrical, in an attempt to evoke the innocence
and romanticism of the world created by the poet for his fairy tale princess. ·
Premiere: The original version
of this piece was premiered in the mid 90’s in the Greater Boston Area. The
orchestra version was created especially for Turkish flutist Sefika Kutluer and was
performed for the first time in her album “Latin Romance” by Sefika, accompanied by the Bratislava Strings Orchestra,
conducted by Marian Lejava. The recording took
place on 2013 in Slovakia. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
Cello + Piano
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
Violin + Piano
|
score & parts
|
audio
|
|||||||||
|
|||||||||||
Viola + Piano
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
Flute + Piano
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
Flute + Harp
|
score & parts
|
audio
|
|||||||||
|
|||||||||||
Clarinet + Piano
|
score & parts
|
|
|
||||||||
|
|||||||||||
Oboe + Piano
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
English Horn + Piano
|
score & parts
|
|
|
||||||||
|
|||||||||||
Piano (4 hands)
|
score & parts
|
audio
|
video
|
||||||||
|
|||||||||||
Voice + Piano (in E)
|
score & parts
|
|
|
||||||||
|
|||||||||||
Voice + Piano (in F)
|
score & parts
|
|
|
||||||||
|
|||||||||||
Voice + Piano (in G)
|
score & parts
|
|
|
||||||||
|
|||||||||||
|
|||||||||||
Feierlicher Festmarsch
(Celebratory March)
|
|||||||||||
·
Commissioned and dedicated
to Alix and Ian Fox ·
Length: 3:30 minutes ·
Mood: majestic,
processional, stately ·
Description: This composition is
a joyful processional for organ, brass quartet and timpani. ·
Premiere: The original version
of this piece was premiered by organist Ross Wood and a brass quartet with
members of the Boston Symphony Orchestra at Trinity Church in Copley Square
in Boston on September 11th, 1999. |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
Organ + Brass Quartet + Timpani
|
score & parts
|
audio
|
|||||||||
|
|||||||||||
|
|||||||||||
Imágenes en la Niebla (Images in the Fog)
|
|||||||||||
·
Dedicated to Greta
Buck and Elaine Chew ·
Length: 4 minutes ·
Description: Imágenes en
la Niebla is a deeply personal composition evoking the
emotional journey of the composer facing adversity and seemingly undefeatable
illness. Through the clouds of pain and distress, he catches a glimpse of
luminous images of hope in the distance. Though the path gets rougher and the
obstacles more frequent, he emerges victorious from the cloud of fog and
joins the luminous images in joyful celebration. ·
Premiere: Elaine Chew, 1995
at the Massachusetts Institute of Technology |
|||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
||||||||
Piano
|
score |