Please right-click on the following blue links to download the sheet music (scores & parts) and
audio samples |
||||
|
||||
·
Danzas Latinoamericanas / Latin American Dances
·
I. Otoño en Buenos Aires / Autumn in Buenos Aires
·
II. Pan de Azúcar / Sugar Loaf Mountain
·
III. Atardecer
Tapatío / Sunset in Guadalajara
|
||||
·
Commissioned by and
dedicated to Mexican cellist Carlos Prieto ·
Length: 10 to 15 minutes
for all 3 movements (depending on the version), approximately 3 to 4 minutes
per movement ·
Mood: festive, lyrical,
Latin, energetic ·
Movements: Three movements.
They can be performed as a suite or independently ·
Description: Danzas
Latinoamericanas is a suite consisting of 3 movements inspired by dances from
Argentina (tango), Brazil (bossa nova), and Mexico (jarabe) respectively. |
||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|
|
||||
Scores that
include STRINGS (either STRING ORCHESTRA or STRING QUINTET)
|
|
|||
|
||||
Strings, Flute soloist
|
score & parts (all 3 movements)
|
String
Orchestra, Flute Soloist
|
|
|
audio - movement #1
|
video - movement #1
|
|
||
audio - movement #2
|
video - movement #2
|
|
||
audio - movement #3
|
video - movement #3
|
|
||
String
Quintet, Flute Soloist
|
|
|||
audio - movement #1
|
video (all 3 movements)
|
|
||
audio - movement #1
|
|
|||
audio - movement #2
|
|
|||
|
||||
Strings, Piano, Flute soloist
|
score & parts (all 3 movements)
|
|
||
|
||||
|
||||
Strings, Piano, Clarinet, Trumpet
|
score & parts - movement #3
|
|
|
|
|
||||
Strings, English Horn soloist
|
score & parts - movement #2
|
audio - movement #2
|
|
|
|
||||
Strings, Alto Saxophone soloist
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Strings, Clarinet, Trumpet
|
score & parts - movement #3
|
|
|
|
|
||||
Strings, Piccolo, Flute, 2 Trumpets, Optional
Piano
|
score & parts - movement #3
|
audio - movement #3
|
video - movement #3
|
|
|
||||
Strings, Piccolo, Flute, 2 Trumpets, Guitar, Guitarrón
*The
guitarrón can be substituted with another guitar
|
score & parts - movement #3
|
|
|
|
|
||||
Scores that
include STRING
QUARTET
|
|
|||
|
||||
String Quartet, Flute
|
score & parts (all 3 movements)
|
|
|
|
|
||||
String Quartet, Piano, Flute soloist
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
audio - movement #3
|
|
|
||
|
||||
SCORES that
include FLUTE
or MULTIPLE FLUTES (besides those in the lists above)
|
|
|||
|
||||
Flute Solo
|
score & parts (all 3 movements)
|
audio - movement #1
|
video - movement #1
|
|
audio - movement #2
|
video - movement #2
|
|
||
audio - movement #3
|
video - movement #3
|
|
||
|
||||
2 Flutes (Flute, Alto Flute)
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
|
||||
3 Flutes (2 Flutes, Alto Flute)
|
score & parts - movement #1
|
|
|
|
|
||||
Flute Quartet
(piccolo, flute, alto flute, bass flute)
|
score & parts (all 3 movements)
|
audio - movement #3
|
|
|
|
||||
Flute Quartet
(piccolo, 2 flutes, bass flute)
|
score & parts (all 3 movements)
|
audio - movement #3
|
|
|
|
||||
DUETS that
include FLUTE (besides those in the lists above)
|
|
|||
|
||||
Flute, Cello
|
score & parts (all 3 movements)
|
|
|
|
3
|
||||
Flute, Piano
|
score & parts (all 3 movements)
|
audio - movement #1
|
video (all 3 movements)
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
Flute, Guitar
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Flute, Clarinet
|
score & parts - movement #3
|
|
|
|
|
||||
TRIOS that
include FLUTE (besides those in the lists above)
|
|
|||
|
||||
Flute, Clarinet, Piano
(Clarinet
in Bb for all 3 movements)
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
Flute, Clarinet, Piano
(Clarinet
in Bb for 1st & 2nd movements,
Clarinet
in A for 3rd movement)
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Flute, Violin, Piano
|
score & parts - movement #1
|
|
|
|
|
||||
Flute, Cello, Violin
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Flute, Cello, Piano
|
score & parts (all 3 movements)
|
|
|
|
|
||||
SCORES that
include CLARINET (besides those in the lists above)
|
|
|||
|
||||
Clarinet, Piano
|
score & parts (all 3 movements)
|
audio - movement #1
|
video (all 3 movements)
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
Clarinet, Piano, Cello
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Clarinet, Bassoon, Guitar
|
score & parts (all 3 movements)
|
|
|
|
|
||||
SCORES that
include BASSOON (besides those in the lists above)
|
|
|||
|
||||
Bassoon solo
|
score & parts (all 3 movements)
|
|
|
|
|
||||
2 Bassoons
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Bassoon, Cello,
Viola, Violin
|
score &
parts (all 3 movements)
|
|
|
|
|
||||
SCORES that
include SAXOPHONE
or MULTIPLE SAXOPHONES (besides those in the lists above)
|
|
|||
|
||||
Alto Saxophone solo
|
score & parts (all 3 movements)
|
audio - movement #1
|
video (all 3 movements)
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
2 Alto Saxophone
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Alto Saxophone, Baritone Saxophone
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Saxophone Quartet
|
score & parts (all 3 movements)
|
audio - movement #1
|
video (all 3 movements)
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
DUETS that
include SAXOPHONE (besides those in the lists above)
|
|
|||
|
||||
Alto Saxophone, Bassoon
|
score & parts - movement #1
|
audio - movement #1
|
video - movement #1
|
|
|
||||
Alto Saxophone, Piano
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
Alto Saxophone, Accordion
|
score & parts - movement #1
|
|
|
|
|
||||
Alto Saxophone, Guitar
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
|
||||
Alto Saxophone, Cello
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|
|
||||
Alto Saxophone, Violin
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Alto Saxophone, Viola
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Tenor Saxophone, Clarinet in Bb
|
score & parts - movement #3
|
|
|
|
|
||||
TRIOS,
QUARTETS, or QUINTETS that include SAXOPHONE (besides those in the lists above)
|
|
|||
|
||||
Reed Quintet
*
Arrangement by Natalie Zemba
|
score & parts (all 3 movements)
|
audio - movement #1
|
video (all 3 movements)
|
|
audio - movement #2
|
|
|||
audio - movement #3
|
|
|||
|
||||
Alto Saxophone, Cello, Violin
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Alto Saxophone, Cello, Piano
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Alto Saxophone, Violin, Piano
|
score & parts (all 3 movements)
|
audio - movement #1
|
video - movement #1
|
|
|
||||
Alto Saxophone, Viola, Piano
|
score & parts (all 3 movements)
|
|
|
|
|
||||
Tenor Saxophone, Cello, Piano
|
score & parts - movement #2
|
|
|
|
|
||||
|
||||
La Alborada de la Esperanza / The Dawn
of Hope
|
||||
·
Commissioned by and dedicated
to French cellist Sébastien Hurtaud ·
Length: 4 minutes ·
Mood: contemplative, lyrical ·
Description: "The Dawn of Hope" is a composition
about the journey from darkness to light. Just as the light of the rising sun
dissipates the darkness of the night, and fills us with the promise of a
bright and beautiful new day, hope and compassion give light to life's
challenges and remind us that we can overcome adversity and focuses on the
hope of a better future. |
||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
Scores that include STRINGS (either
STRING ORCHESTRA or STRING QUINTET)
|
|
|||
|
||||
Strings, Flute
soloist
|
score & parts
|
audio
|
video
|
|
|
||||
Strings, Oboe
soloist
|
score & parts
|
audio
|
video
|
|
|
||||
Strings, Alto
Saxophone soloist
|
score & parts
|
audio
|
video
|
|
|
||||
Scores that include STRING QUARTET
|
|
|||
|
||||
String Quartet,
Flute
|
score & parts
|
|
|
|
|
||||
SCORES that include FLUTE (besides
those in the lists above)
|
|
|||
|
||||
Alto Flute solo
|
score & parts
|
audio
|
video
|
|
|
||||
Alto Flute,
Piano
|
score & parts
|
audio
|
video
|
|
|
||||
Alto Flute,
Flute, Harp
|
score & parts
|
|
|
|
|
||||
Flute, Piano
|
score & parts
|
audio
|
video
|
|
|
||||
Flute, Guitar
|
score & parts
|
|
|
|
|
||||
Flute, Cello
|
score & parts
|
|
|
|
|
||||
Flute,
Clarinet, Piano
|
score & parts
|
|
|
|
|
||||
SCORES that include OBOE or ENGLISH HORN (besides
those in the lists above)
|
|
|||
|
||||
Oboe, Piano
|
score & parts
|
audio
|
video
|
|
|
||||
Oboe, Cello
|
score & parts
|
|
|
|
|
||||
English Horn
solo
|
score & parts
|
|
|
|
|
||||
English Horn,
Piano
|
score & parts
|
|
|
|
|
||||
SCORES that include CLARINET, BASSOON or TRUMPET (besides
those in the lists above)
|
|
|||
|
||||
Clarinet, Piano
|
score & parts
|
audio
|
video
|
|
|
||||
Clarinet,
Violin, Piano
|
score & parts
|
|
||
|
||||
Bassoon, Piano
|
score & parts
|
|
|
|
|
||||
Trumpet in Bb,
Piano
|
score & parts
|
|
|
|
|
||||
SCORES that include SAXOPHONE (besides
those in the lists above)
|
|
|||
|
||||
Alto Saxophone,
Piano
|
score & parts
|
audio
|
video
|
|
|
||||
Alto Saxophone,
Cello
|
score & parts
|
|
|
|
|
||||
Alto Saxophone,
Cello, Piano
|
score & parts
|
|
|
|
|
||||
Soprano
Saxophone, Cello
|
score & parts
|
|
|
|
|
Die Nachtblume / The Night
Flower / La Flor Nocturna
|
||||
·
Length: 4 minutes ·
Mood: contemplative, lyrical, tender ·
Note: This is the second movement of “The Legend of the
Noble Knight”. It works very well as an independent piece. ·
Description: The composer was inspired by the poems of Baron Joseph
von Eichendorff, and in particular, by the idea of the delicate and elusive
“blue flower” that represents the balance of humanity with nature and
spirituality. This piece attempts to provide a musical commentary about the
ephemeral beauty and significance of The Night Flower (Die Nachtblume). |
||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
String
Orchestra + Oboe
|
Please email the composer
|
audio
|
|
|
|
||||
Cello &
Flute
|
score & parts
|
|
|
|
|
||||
Cello &
Oboe
|
score & parts
|
audio
|
video
|
|
|
||||
Piano + Cello +
Flute
|
score & parts
|
|
|
|
|
||||
Piano + Violin
+ Alto Saxophone
|
score & parts
|
|
|
|
|
||||
Flute &
Guitar
|
score & parts
|
|
|
|
|
||||
|
||||
Die Legende des edlen
Ritters
The Legend of
the Noble Knight / La Leyenda del Noble Caballero
·
I. Unter dem Sternenhimmel des Rheins /
Under the starry sky of
the Rhine
·
II. Die Nachtblume / The Night
Flower
·
III. Loreleis Erlösung /
Lorelei’s Redemption
·
IV.
Der Empfang des Helden
/ A Hero’s Welcome
|
||||
·
Commissioned by and
dedicated to Benedict Klöckner ·
Length: 15 minutes ·
Mood: epic, cinematic, lyrical ·
Movements: Suite in four movements ·
Description: o 1. Under the starry sky of the Rhine. This movement was originally written as a
stand-alone piece and was commissioned by German cellist Benedict Klöckner as
a companion piece for Bach’s Cello Suites. The composer was particularly
inspired by Mr. Klöckner’s performance of the Gigue in Bach’s Cello Suite #6,
and even incorporates some quotes from that piece in his composition. In his
attempt to include other elements that referenced Mr. Klöckner’s homeland in
Rhineland-Palatinate, he was inspired by the evocative landscapes and
medieval castles of the region, as well as the legends associated with them. o 2. The Night Flower. Inspired by the poems of Baron Joseph von
Eichendorff led him to becoming enamored with the idea of the delicate and
elusive “blue flower” that represents the balance of humanity with nature and
spirituality. The second movement attempts to provide a musical comment about
the ephemeral beauty and significance of the night flower. o 3. Lorelei’s Redemption. This movement uses the Gregorian Chant Dies Irae
(Day of Wrath) and variations of it to represent the chant of the Lorelei, in
an attempt to incorporate the legend of the unfortunate
maiden-turned-enchantress associated with one of the geologic features of the
banks of the Rhine. o 4. A Hero’s Welcome. This movement synthesizes the various musical and
extra-musical themes introduced throughout the piece, bringing back, among
other things, the melodies associated with the Bach Gigue from the Cello
Suite #6. |
||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
Orchestra & Alto Saxophone Soloist
alto saxophone soloist, strings, 1 flute, 1
oboe, 1 clarinet, 1 trumpet, 1 horn, percussion (timpani, triangle and bells)
|
Please email the composer to obtain the free score
for this CONCERTO
|
audio
|
video
|
|
audio
|
|
|||
audio
|
|
|||
audio
|
|
|||
|
||||
Violin &
Alto Saxophone
|
score & parts
|
|
|
|
|
||||
Alto Saxophone + Piano
|
score & parts
|
|
|
|
|
||||
|
||||
Mondnacht
/ The Night
of the Moon / La Noche de la Luna
|
||||
·
Commissioned by
Benedict Klöckner ·
Dedicated to
Benedict Klöckner, Yury Revich and Danae Dörken ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: The composer was
inspired by the poem “Mondnacht” by Baron Joseph
von Eichendorff and the idea of the light of the moon shimmering on the
surface of a gently flowing river. This is a piece about
how people can find beauty and serenity in life, in spite of seemingly
unsurmountable difficulties. The light of the moon projecting its silver
shimmery beauty onto the peaceful surface of a river, in spite of the
turbulent undercurrent. |
||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|
Piano, Cello
& Clarinet
|
score & parts
|
|
|
|
|
||||
Piano + Violin + Clarinet
|
score & parts
|
|
|
|
|
||||
Piano + 2 Flutes
|
score & parts
|
audio
|
|
|
|
||||
Piano +
Clarinet + Flute
|
score & parts
|
audio
|
|
|
|
||||
Flute Quartet
|
score & parts
|
audio
|
video
|
|
|
||||
Flute Trio
|
score & parts
|
audio
|
|
|
|
Cherry Blossoms
/ Cerezos en Flor
|
||||||||
·
Dedicated to
Benedict Klöckner and Clémence de Forceville ·
Length: 4 minutes ·
Mood: cinematic, lyrical ·
Description: This is a piece about grace in the face of great
sorrow, and how the simplest most delicate things in life can sometimes
produce the deepest effects in our hearts. |
||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
||||
|
||||||||
Piano, Flute
|
score & parts
|
|
|
|
||||
|
||||||||
Piano, Alto
Saxophone
|
score & parts
|
|
|
|
||||
|
||||||||
Piano, Cello, Flute
|
score & parts
|
|
|
|
||||
|
||||||||
Piano,
Clarinet, Flute
|
score & parts
|
audio
|
video
|
|
||||
|
||||||||
Piano,
Clarinet, Violin
|
score & parts
|
audio
|
video
|
|
||||
|
||||||||
Piano, Cello, Alto Saxophone
|
score & parts
|
|
|
|
||||
|
||||||||
|
||||||||
Crepúsculos / Twilights / Alpenglow
|
||||||||
·
Commissioned by and dedicated
to Turkish flutist Sefika Kutluer ·
Length: 4:30 minutes ·
Mood: contemplative,
lyrical ·
Description: Alpenglow is a
specific type of twilight, consisting of a magical pinkish or orange light
that appears at the top of the Alps right before the sun goes down. The piece
is sweet but melancholic, with some elements of minimalist and impressionist
inspiration. In the versions with piano, the piano plays a "moto
perpetuo". This continuous stream of sound is sometimes sweet and
tender, other times more angular, and sometimes it quotes the Gregorian chant
of death, the "Dies Irae". It's meant to represent the inexorable
passing of time, which includes moments of joy, sorrow, mourning, etc. The
main melody of the soloist instrument is meant to be a comforting, warm and
consoling presence that accompanies the listener in this meditation about
life and death. The intention of the piece is to evoke a moment of joyful
serenity. |
||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||
String
Orchestra (with piano) + Flute soloist
|
score / parts
|
audio
|
video
|
|||||
|
||||||||
String Orchestra + Flute soloist
|
score & parts
|
|||||||
|
||||||||
String
Orchestra (with piano) + Alto Saxophone soloist
|
score / parts
|
|||||||
|
||||||||
String
Orchestra + Alto Saxophone
|
score & parts
|
|||||||
|
||||||||
Flute + Piano
|
score & parts
|
|||||||
|
||||||||
Bassoon + Piano
|
score & parts
|
|||||||
|
||||||||
English Horn +
Piano
|
score & parts
|
|||||||
|
||||||||
Alto Saxophone
+ Piano
|
score & parts
|
audio
|
video
|
|||||
|
||||||||
|
||||||||
Limoncello
|
||||||||
·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 4 minutes ·
Mood: light, serenely
joyful ·
Description: Limoncello is a very
sweet, peaceful, lyrical and tonal piece. It was written at the same time as
“The Dawn of Hope” and “Crepúsculos” (Twilights),
after the composer had lost someone very dear to him. While “The Dawn of
Hope” is about acknowledging the challenges in life, but using the
transforming energy of love and compassion to find hope for the future,
Limoncello is about that moment in which one can smile again after a tragedy,
and see the beauty of life again. “Crepúsculos” is
a meditation about the inexorable passing of time. Even though “Limoncello”
is "sunnier" and brighter than the other two pieces, it evokes a
sense of noble gentleness and tenderness. |
||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||
String
Orchestra (with optional piano)
+ Flute soloist
|
score & parts
|
audio
|
video
|
|||||
|
||||||||
String
Orchestra (with optional piano)
+ Alto
Saxophone soloist
|
score & parts
|
|||||||
|
||||||||
Cello + Flute
|
score & parts
|
audio
|
||||||
|
||||||||
Cello + Alto
Saxophone
|
score & parts
|
|
|
|||||
|
||||||||
Flute + Piano
|
score & parts
|
audio
|
||||||
|
||||||||
Oboe + Piano
|
score & parts
|
|||||||
|
||||||||
Clarinet + Piano
|
score & parts
|
audio
|
||||||
|
||||||||
English Horn + Piano
|
score & parts
|
|||||||
|
||||||||
Alto Saxophone
+ Piano
|
score & parts
|
audio
|
video
|
|||||
|
||||||||
Estampas Mexicanas / Mexican Vignettes
I.
I.
Ferial (Parade)
II.
II. Danza del Pájaro
Sagrado (Dance of the sacred
bird)
III.Teotlalli
(Land of Gods)
|
||||||||||
·
Length: 10 minutes total
for all 3 movements (each movement approximately 3 mins) ·
Mood: festive, joyful,
Mexican, energetic, rhythmic ·
Movements: Suite in 3
movements. The first and third movements can be performed independently. ·
Description: Estampas Mexicanas is a suite featuring
Mexican folk elements. The composer was inspired by the rhythmic vitality of
the music of Carlos Chávez, the ritualistic mysticism of the works of
Silvestre Revueltas, and the lyrical melodies of Manuel M. Ponce. o
1. Ferial is a festive parade
of simple, colorful, folk-like tunes and rhythms. The opening of this
movement pays homage to composer Carlos Chávez, paraphrasing the opening
measures of his "Sinfonía India". But in
contrast to Chávez’ work, Elizondo uses this rhythmic material in a lighter
manner to propel a set of simple tuneful melodies, and to create a festive
tapestry of sounds. o
2. Danza del Pájaro Sagrado is an imagined Aztec ritual invocation
of the sacred bird. The orchestration is sparse and symbolic. o
3. Teotlalli includes a celebratory statement of
this movement’s main theme in a symphonic version of the mariachi band. The
mood for this movement is energetic and full of life. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
|
||||||||||
STRING ORCHESTRA
|
||||||||||
|
||||||||||
String Orchestra + Piano + Flute soloist
|
score & parts (all 3 movements)
|
audio - movement #1
|
video - movements #1 & #3
|
|||||||
audio - movement #3
|
||||||||||
|
||||||||||
String Orchestra + Flute soloist
|
score & parts (movements #1 & #3)
|
audio - movement #1
|
video - movement #1
|
|||||||
audio - movement #3
|
video - movement #3
|
|||||||||
|
||||||||||
String Orchestra + Piano + Oboe + Percussion
|
score & parts (all 3 movements)
|
|
|
|||||||
|
||||||||||
String
Orchestra + Piano + Clarinet + Trumpet + Percussion
NOTE: Percussion is optional
|
score & parts (movements #1 &
#3)
|
|
|
|||||||
|
||||||||||
Violin + French Horn + Piano
NOTE: Arrangement
by Black Moon Trio
|
score & parts (all 3 movements)
|
audio - movement #1
|
|
|||||||
audio - movement #2
|
|
|||||||||
audio - movement #3
|
|
|||||||||
|
||||||||||
Cello + Viola + Violin + Flute
|
score & parts (movement #1)
|
|
|
|||||||
|
||||||||||
Cello + Violin + Flute + Piano
|
score & parts (movements 1 & 3)
|
|
|
|||||||
|
||||||||||
Flute + Piano
|
score & parts (movements 1 & 3)
|
|
|
|||||||
|
||||||||||
Clarinet in Bb
+ Piano
|
score & parts (movements 1 &
3)
|
|
|
|||||||
|
||||||||||
2 Bassoons
|
score & parts (movements 1 & 3)
|
|
|
|||||||
|
||||||||||
|
||||||||||
Despapaye
|
||||||||||
·
Commissioned by and dedicated
to Venezuelan conductor and flutist Orlando Cela ·
Length: 4 minutes ·
Mood: light, joyful, with
a bit of humor ·
Description: This composition
combines Baroque elements with Latin American salsa. This piece is intended
for Pops, light concerts or as a fun encore. It starts as a standard Baroque
dance, but at some point “peculiar” things start to happen (seemingly
out-of-place glissandos, pizzicatos, etc) that
eventually transform the piece into a very fun and rhythmic salsa. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
String Orchestra + Flute soloist
|
score & parts
|
|||||||||
|
||||||||||
String Orchestra with piano + Flute soloist
|
score & parts
|
audio
|
||||||||
|
||||||||||
String Orchestra + Alto Saxophone soloist
|
score & parts
|
|||||||||
|
||||||||||
String Orchestra with piano + Alto Saxophone
soloist
|
score & parts
|
|||||||||
|
||||||||||
|
||||||||||
Chez
|
||||||||||
·
Dedicated to Jeffrey
Sanchez ·
Length: 3:30 minutes ·
Mood: playful, lively but serene, with flamenco
influences ·
Description: This composition was named after a friend of
Elizondo’s, a talented guitarist whose playing stirred his interest in
Spanish guitar music and inspired this piece. Originally composed for flute
and guitar, the arrangement for flute and string orchestra was made
especially for Şefika Kutluer.
The melodies in this piece originally drew inspiration from the Mexican and
Spanish folk traditions, and were later influenced by Elizondo’s listening to
Venezuelan waltzes performed by the talented Orlando Cela. The “rondo” form
provides an easy structure for the composer to feature a musical conversation
in which the flute and the orchestra take turns introducing melodic material
and providing complementary countermelodies or ornamental commentary. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|||||||
String
Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Guitar + Flute
|
score & parts
|
audio
|
||||||||
|
||||||||||
|
||||||||||
Canción
de Cuna (Lullaby)
|
||||||||||
·
Dedicated to WCRB
Boston Classical Music radio personality Laura Carlo ·
Length: 4 minutes ·
Mood: contemplative, lyrical, tender ·
Description: As the title indicates, Canción de Cuna is a tender
lullaby, hence its simplicity and the composer’s choice of a tonal, lyrical
and straight-forward musical language. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|||||||
String Orchestra
+ Harp + Flute soloist
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Cello + Flute
|
score & parts
|
|||||||||
|
||||||||||
Cello +
Clarinet in Bb
|
score & parts
|
|||||||||
|
||||||||||
Cello + Oboe
|
score & parts
|
|||||||||
|
||||||||||
Flute + Piano
|
score & parts
|
audio
|
||||||||
|
||||||||||
Flute + Harp
|
score & parts
|
|
|
|||||||
|
||||||||||
Flute + Guitar
NOTE: Arrangement by Silver-Rose
Duo
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Flute + Alto Flute + Cello + Harp
|
score & parts
|
|||||||||
|
||||||||||
Flute + Alto Flute + Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
Flute + Clarinet + Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
Clarinet +
Cello + Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
Oboe + Piano
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Bassoon + Piano
|
score & parts
|
audio
|
|
|||||||
|
||||||||||
Alto Saxophone
+ Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
|
||||||||||
Princesa
de Hadas (Fairy Tale Princess)
|
||||||||||
·
Commissioned by
Prof. Patricio F. Mendez ·
Length: 4 minutes ·
Mood: lyrical, tender ·
Description: Princesa de Hadas
was commissioned by Argentine poet Patricio Méndez in 1996. The orchestral
version was created for Şefika Kutluer,
who has championed it around the world. The title of this piece refers to a
verse from a poem by Méndez, where he describes his beloved as a “fairy tale
princess.” The musical material is deliberately simple, tonal, and lyrical,
in an attempt to evoke the innocence and romanticism of the world created by
the poet for his fairy tale princess. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
String Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Cello + Flute
|
score & parts
|
|
|
|||||||
|
||||||||||
Cello + Oboe
|
score & parts
|
|
|
|||||||
|
||||||||||
Flute + Piano
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Flute + Harp
|
score & parts
|
audio
|
||||||||
|
||||||||||
Flute + Guitar
|
score & parts
|
|||||||||
|
||||||||||
Clarinet + Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
Oboe + Piano
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
English Horn + Piano
|
score & parts
|
|
|
|||||||
|
||||||||||
|
||||||||||
Set me as a seal upon thine heart (Grábame como un
sello en tu corazón)
|
||||||||||
·
Commissioned and
dedicated to Alix and Ian Fox ·
Length: 6 minutes ·
Mood: lyrical, romantic,
with Baroque influences ·
Description: Originally written
for organ, French horn and baritone, the piece is based on a biblical text
from King Solomon’s “Song of Songs”, and was written on occasion of a
wedding. The musical inspiration for the composition came from Mendelssohn’s
choral piece, “Verleih uns
Frieden”, and from the magnificent sound of the pipe organ in Trinity Church
in Boston. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
String Orchestra + Flute soloist
(also for String Quintet + Flute soloist)
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
String Quartet + Flute soloist
|
score & parts
|
|
|
|||||||
|
||||||||||
Organ + French Horn + Voice soloist
|
score & parts
|
audio
|
||||||||
|
||||||||||
|
||||||||||
Feierlicher Festmarsch
(Celebratory
March)
|
||||||||||
·
Commissioned and
dedicated to Alix and Ian Fox ·
Length: 3:30 minutes ·
Mood: majestic, processional, stately ·
Description: This composition is a joyful processional for
organ, brass quartet and timpani. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|||||||
Organ + Brass
Quartet + Timpani
|
score & parts
|
audio
|
||||||||
|
||||||||||
|
||||||||||
Sefika’s
Menuetto
|
||||||||||
·
Dedicated to Turkish
flutist Sefika Kutluer ·
Length: 8:30 minutes ·
Mood: lyrical, romantic ·
Description: Şefika’s Menuetto is a sweet
and lyrical piece. The composer chose musical material he had written during
some of the most memorable moments of his life, revisiting and reinterpreting
it to create an amalgamated canvas upon which he could present new flute
melodies, created for Sefika Kutluer, that are at
times playful and uplifting, and at times nostalgic and more meditative. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|||||||
String Orchestra + Flute soloist
(also for String Quintet + Flute soloist)
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
String Quartet
+ Flute soloist
|
score & parts
|
|||||||||
|
||||||||||
|
||||||||||
Excursión a la Montaña (Excursion to the Mountain)
|
||||||||||
·
Dedicated to flutist
Kim Sopata Fleuchaus ·
Length: 6 minutes ·
Mood: atmospheric, peaceful, pastoral ·
Description: Excursión a la Montaña tells the story of the first
excursion of a child to the top of a little mountain. Stylistically, the
piece is inspired by the music of Debussy and Prokofiev. In addition to
impressionistic harmonies, it incorporates elements of Mexican music and
Spanish Flamenco music. This piece was originally written for a friend of the
composer, flutist Kim Sopata. This piece has been championed, in particular,
by flutists Orlando Cela and Sefika Kutluer, who
have performed it extensively around the world. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|||||||
String
Orchestra + Flute soloist
|
score & parts
|
audio
|
video
|
|||||||
|
||||||||||
Flute Solo
|
score
|
audio
|
video
|
|||||||
|
||||||||||
Alto Sax Solo
|
score
|
audio
|
|
|||||||
|
||||||||||
Bassoon Solo
|
score
|
|
|
|||||||
|
||||||||||
Oboe Solo
|
score
|
|
|
|||||||
|
||||||||||
|
||||||||||
Baroque
Dances
|
||||||||||
·
Dedicated to Mexican
cellist Carlos Prieto ·
Length: 7 minutes ·
Description: Baroque Dances is a
suite of 3 short dances in Baroque style, inspired by Bach’s cello suites. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
Cello + Soprano Saxophone
|
score
|
|||||||||
|
||||||||||
Flute solo
|
score
|
|||||||||
|
||||||||||
Bassoon solo
|
score
|
audio
|
||||||||
|
||||||||||
|
||||||||||
Frog Leaps
|
||||||||||
·
Length: 1 minute ·
Description: Frog Leaps was
written in an improvisational outburst in response to a radio broadcast of
“chance-music” composed by John Cage. At first, it creates the image of an
energetic amphibian leaping back and forth joyously on the piano keyboard.
However, recognizable rhythmic and melodic patterns soon emerge from this
improvisational work, ironically validating the value of artificially
constructed methods used to introduce “randomness” to music. Originally
intended as a joke, Frog Leaps was submitted to a competition where it caught
the attention of a pianist that decided to premiere it. |
||||||||||
VERSION |
SCORE
AND PARTS |
SAMPLE
AUDIO |
YOUTUBE
VIDEO |
|||||||
Piano + Flute
|
score
|
|
|
|||||||
|
||||||||||
|
||||||||||
Hacia Belén (Towards Betlehem) - ARRANGEMENT
|
||||||||||
·
Dedicated to Julie
Reimann and Ellyses Kuan ·
Length: 4 minutes ·
Mood: playful, energetic, with flamenco influence in the
intermediate section of the piece ·
Description: This is not an original composition, but rather a
playful and fanciful arrangement of a well-known Christmas Carol from the
XVIII Century by Antonio Soler (“Hacia Belén va una burra, rin rin”). This arrangement
presents a fun and unexpected take on the Christmas carol that requires
virtuosity from the pianist and the cellist, and can be very good as an
ice-breaker or a closing piece in a Christmas program. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
||||||
Piano &
Alto Saxophone
|
score & parts
|
|
|
|||||||
|
||||||||||
|
||||||||||
Los Campanilleros (The Bell Ringers) - ARRANGEMENT
|
||||||||||
·
Dedicated to Manu
Brazo ·
Length: 4 minutes ·
Mood: soulful with flamenco influence ·
Description: This is not an original composition, but rather a playful
arrangement of a well-known traditional Christmas Carol from the beginning of
the XX century in Andalucía, Spain. |
||||||||||
VERSION |
SCORE AND PARTS |
SAMPLE AUDIO |
YOUTUBE VIDEO |
|
||||||
Piano &
Alto Saxophone
|
score & parts
|
audio
|
video
|
|
||||||
|
||||||||||